SCALE: The Daily Post Photo Challenge, 11 October 2017

Very interesting challenge from The Daily Post this week!

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Photography ” . . .  is all about perspective, where and how you place other objects in the frame . . . ” — Erica V., The Daily Post

Here are some examples of SCALE: (1) at the Louvre, in front of the Mona Lisa (2) in Bath’s Royal Crescent, the entrance to Royal Crescent # 1 and (3) in New York’s Russian Tea Room, next to Carnegie Hall. Self’s first trip to New York City was with Dearest Mum, who once played at Carnegie Hall. This September, she took Dearest Mum, who’s now past 80, for lunch at the Russian Tea Room. We had the best time.

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The Louvre, May 2017

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Royal Crescent No. 1 (Royal Crescent Museum), Bath

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The Russian Tea Room, 57th St., New York City (Next to Carnegie Hall): Dearest Mum took self here, her first time in New York City, decades ago. The place hasn’t changed a bit.

Stay tuned, dear blog readers. Stay tuned.

PEDESTRIANS 2: Iconic, 2017

There’s a theme to the photographs here, self’s second post on The Daily Post’s Photo Challenge of the week, PEDESTRIANS.

  • The Whitney Museum of American Art in New York City:

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  • The Atrium, Robert Lehman Wing, Metropolitan Museum of Art, New York City:

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  • London Eye, South Bank:

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Pedestrian: New York City, Claremont, Sacramento

This week’s Daily Post Photo Challenge is PEDESTRIAN:

  • What does PEDESTRIAN mean to you? Perhaps this is a great chance to go out and practice some street photography.

— Krista Stevens, The Daily Post

So, here are three street scenes. They’re not the greatest, but they certainly were street:

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New York City: September 2017

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Jennie, Son, and Self in the Claremont, CA Farmers Market: July 2017

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Downtown Sacramento, CA: July 2017

 

Still Reading: SUBMISSION, p. 161

Context: France is undergoing deep and rapid change. For one, the newly elected president is Muslim.

Been a long time since self has read a political novel.

Maybe it was too soon to give up after all — witness these two girls, and my father’s surprising late-life transformation. And maybe, if I kept seeing Rachida on a regular basis, we’d end up having feelings for each other. At least, there was no reason to absolutely rule it out.

  • — p. 161, Submission, by Michel Houellebecq, translated from the French by Lorin Stein

Stay tuned, dear blog readers. Stay tuned.

Houellebecq: SUBMISSION, p. 128

  • He was born in 1922, if you can believe it. Exactly a hundred years ago. He joined the Resistance early on, in late June 1940. Even in his day, French patriotism was an idea whose time had passed. You could say that it was born at the Battle of Valmy, in 1792, and that it began to die in 1917, in the trenches of Verdun. That’s hardly more than a century — not long, if you think about it. Today, who believes in French patriotism? The National Front claims to, but their belief is so insecure, so desperate.

More Windows

Self loves windows. She really, really does.

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Sitting by Window, In Reflective Mode

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Watertower View, Chelsea District, New York City

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Home, Redwood City, California

Other Windows:

Stay tuned, dear blog readers. Stay tuned.

 

WINDOWS: The Daily Post Photo Challenge, 27 September 2017

Self loves windows in general. So she loves this week’s Daily Post Photo Challenge: WINDOWS.

The prompt was to use the window as a frame. But her post uses the windows themselves as objects.

In the first picture, the windows transform a building in New York’s Chelsea Building into a kind of illuminated box. In the second, the airconditioning units sticking out of the windows were what caught her eye. In the third, the window is a wee cut-out in an expanse of grey wall, the only shot of life in a very industrial-looking room.

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Night, Chelsea District, New York City: September 2017

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More Windows, Chelsea District, New York City: September 2017

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Minimalist: Window of a Mini-Eichler, Palo Alto, California

Stay tuned, dear blog readers. Stay tuned.

More Layered: Orinda and New York City

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Bruins Amphitheatre, Orinda

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Whitney Museum of American Art, New York City: The squares are on the ground level, the woman taking the picture is on the 4th? 5th? Floor.

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New York City, View from the Chelsea District

Layered: The Daily Post Photo Challenge, 20 September 2017

This week, let’s explore the interplay of texture and depth.

— Ben Huberman, The Daily Post

Self’s home is in Redwood City, California. She’s been exploring its nooks and crannies this summer.

She got this nifty display stand about 20 years ago, and every time she needs some validation, she looks at the stand, where most (if not all) of the journals that have published her work over the years are displayed.

On the lowest shelf are two programmes from the New Hampshire Symphony. The opera she collaborated on with Drew Hemenger got its world premiere in New Hampshire, March 2015:

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And here’s the interior of a peanut butter & chocolate do-nut from an iconic doughnut shop in Westwood, which she visited in July:

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Finally, a keepsake box filled with samples of son’s childhood artwork:

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Layers of memory, layers of goodness.

Other examples of LAYERED from around WordPress:

Stay tuned, dear blog readers. Stay tuned.

 

Still More Waiting

Share a snapshot that shows a sense of waiting.

— Cheri Lucas Rowlands, The Daily Post

First, self’s Philippine passport. She is a dual citizen of the Philippines and the United States. This passport dates from the time when she first entered the U.S., to begin grad studies at Stanford:

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Final picture: Last week, self was in New York for her nephew’s wedding. On September 11, she decided to go to the Whitney on Gansevoort Street, her favorite Manhattan museum. She started at the top floor (the Calders) and worked her way down.

On the top floor, there’s a restaurant with stunning views. She saw the Statue of Liberty:

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Sept. 11, 2017: “Bring me your tired, your poor, your huddled masses . . . “

Immigrants. Self was an immigrant once.

Stay tuned.

 

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