Gemino “Jimmy” Abad on Language

Two momentous things happened on the way to the USF lecture in the City.

  • Jennifer Lawrence, self heard on the radio, wants to take a break from acting, would love to work with Animal Planet as a narrator on some of its programs. (Can self tell dear blog readers how much she adores J-Law, who in spite of making oodles of money is still so diffident —  about money, about fame.  Sure, she might have clawed her name to the top of the acting heap, but in spite of everything, she wears her anointed titles — “America’s National Treasure” one British daily called her — with self-deprecating good humor)
  • There was an Amber alert. Child abduction by someone in a red Infiniti SUV.  Self began to look around at the passing cars.  The Amber alert even got sent to her cell phone.

Got home, decided to resume reading Upon Our Own Ground:  Filipino Short Stories in English 1956 to 1972, edited by Gemino “Jimmy” Abad.

We say that is land and that “sea,” that “grass” and those “waves.”  It is illusion that “land” is land, yet in language real, for when we read what is written, or interpret what is spoken, we deal not with meaning in the abstract but with meaningfulness: the living become word.  The farmer speaks, Buntis na ang palay.  The meaningfulness of . . .  what he says is an act of the imagination.  For words do not have their meaning from themselves, but from lives lived.  Meanings — of words, as of anything else in human affairs — aren’t fixed once and for all, even as the lives of the speakers and writers of a given language change through their history . . .  it isn’t meaning that language carries, it carries you —  you and your generation . . .

Stay tuned, dear blog readers.  Stay tuned.

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