Landscapes 3: Two Actual, One Metaphorical

This week’s Daily Post Photo Challenge is LANDSCAPE.

Self loves landscapes in general. So here are pictures of three:

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Evening, Mendocino, March 2016

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Evan Hobart’s Landscape of Clay: Mendocino Art Center, March 2016

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Presbyterian Church, Mendocino, February 2016

Stay tuned, dear blog readers. Stay tuned.

Dance 2: What Makes People Want To Move

Is it just self or are The Daily Post Photo Challenges becoming more challenging? The theme of this week’s challenge is DANCE:

Below, Artist Janet Self at Oddfellows Art Gallery, Mendocino:

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Artist Janet Self, standing next to her piece in the 2nd floor of Oddfellows art gallery in Mendocino, 2014

Below, one of self’s large collection of Christmas ornaments.

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Fresh-Cut from Wegman’s: December 2014

Final Picture: the Fillmore Jazz Festival, July 2014:

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Cool Shoes: 2014 Fillmore Jazz Festival, San Francisco

Stay tuned, dear blog readers. Stay tuned.

 

 

Vibrant 4: 2016 Daily Post Photo Challenge # 5

The past week’s Daily Post Photo Challenge is VIBRANT. Self has been having so much fun with it. In the past week, she’s posted pictures of Mendocino and Venice. Now, she’s posting photographs she took during an exhibit of Chinese artists that she and her niece, Irene, saw when we were in Florence, November 2015.

The weather was glorious: it never rained. And Florence, self doesn’t need to tell dear blog readers, is enchanting.

We got ourselves a Museum Card (Would you believe, there are 64 museums in Florence?).

As we were walking towards the Duomo on one of our earliest days in Florence, we noticed this museum and went inside.

Now, self can no longer remember which museum it was, but there was an exhibition of Chinese paintings which totally blew self away: International Tour of the Works of the Twelfth China National Exhibition of Fine Arts.

The oil painting below is called “Scenery with Six-Tusked Elephant.” The artist is Lin Jianfeng.

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Lin Jianfeng, Artist From China: Seen on the International Tour of Chinese National Artists, November 2015, Florence

The second painting, self has featured on this blog before. It is by Liu Kongxi: “Hello, Birch Forest: The Records of Youth (No. 18):

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“Hello, Birch Forest: The Records of Youth (No. 18)” by Liu Kongxi

And the last painting: Wang Ke’s “Passing on Lamp”

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Wang Ke’s “Passing on Lamp”

As Jen H. says on The Daily Post, “Let’s wash the web with a rainbow of colors to keep the winter gloom at bay.”

Self thinks these three paintings do fit the bill.

Stay tuned.

The Final Post on TRIOS: the New Whitney Museum, Cork, the Lake at Annaghmakerrig

It is the day after Thanksgiving. Snap out of your food comas, everyone!

Self must say, this year’s Thanksgiving was brilliant. Self ate more than she’s ever eaten in her life. Her friend was up at 6 a.m. because she and her daughter are going to the mall. But self has an on-line class to get caught up on, so she chose to stay behind.

Before delving into her student pieces, however, self peruses her archives so that she can make one last post on WordPress Photo Challenge this week:  TRIO.

Self took the first picture in a museum she considers one of the best in the entire world: The new Whitney Museum. On exhibit right now: a retrospective on Frank Stella.

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On the 6th Floor of the New Whitney Museum (Didn’t take down the name of the artist, boo)

The second picture is from one of self’s happy places: Café Paradiso in Cork, Ireland.

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From a Book on Dublin-born Artist Sean Scully, which was in Self’s Room in Café Paradiso, Cork

And finally, a picture of the Mother of All Happy Places, a place that signifies peace, happiness, mindfulness, inspiration: the lake in the Tyrone Guthrie Centre in Annaghmakerrig.

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3 Metal Bars Sticking out of the Lake in Annaghmakerrig, Ireland

Treat 3: Still Florence

Florence is a beautiful city. It is beautiful, and yet worldly, and the people are so warm.

Today, Irene directed our steps to two museums. The first one was a kind of natural history museum, with dinosaur bones and the like. But since self has already seen the Mother of All Dinosaur Exhibits, in the Royal Tyrrell Dinosaur Museum in Drumheller, Alberta, Canada, she was not much interested in the ones on display in Florence. We moved on quickly to the second museum, which happened to have an amazing exhibit: Works of the Twelfth China National Exhibition of Fine Arts, Italy.

These featured large-scale oil paintings by Chinese painters, the likes of which self had never seen. Thank goodness there was no Ai Wei-Wei. Because he is trotted out at every major exhibit of Chinese painters, and his work doesn’t speak to self at all. After two decades of hearing nothing but praise about him, she is frankly bored by his ubiquitous presence.

Irene and self decided to stop for pastries and coffee at a café called Gilli (founded 1733), which has outdoor seating facing a lively piazza:

Café Gilli, a Florentine landmark

Café Gilli, a Florentine landmark

The Piazza next to Café Gilli, Florence: Self loves the carousel (which strangely had no riders)

The Piazza next to Café Gilli, Florence: Self loves the carousel (which strangely had no riders)

Self had to try the meringues. This one was light and airy and absolutely delicious:

Never had self tasted an airier meringue!

Never had self tasted an airier meringue!

It was wonderful to stroll along the streets by the café, as evening fell.

Stay tuned, dear blog readers. Stay tuned.

Monochromatic 3: Costume Designer’s Sketch, Book Cover, a Weathervane in Cambridge, UK

Loved the delicacy of this page, depicting an iconic character:

Katniss, page from Costume Designer's Sketch Book for The Hunger Games

Katniss, page from Costume Designer’s Sketch Book for The Hunger Games

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Self purchased Lucifer Princeps at the Atlantis Bookstore in London’s Museum Way. The bookstore specializes in all manner of things related to the occult. Since self is writing a novel about an 18th century Spanish priest who is sent to the Philippines specifically to battle demons, she thought the book might come in handy.

Lucifer Princeps: Book Detail

Lucifer Princeps: Book Detail

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Self took the picture below while she was on a Jack-the-Ripper tour of Whitechapel and environs!

Cricket Player Weathervane, on top of a building on Whitechapel Road, near E. Aldgate, London

Cricket Player Weathervane, on top of a building in Cambridge, UK (Revised the location — I originally posted as a building in Whitechapel, London. Good thing I double-checked)

Other Monochromatic Takes:

Stay tuned, dear blog readers. Stay tuned.

Beneath Your Feet: The Sea City Museum in Southampton

Self is posting this as a tie-in to this week’s WordPress Photo Challenge:  BENEATH YOUR FEET.

The Daily Post says:

Experiment with your angle. Stand as you snap your picture, or get close to the floor.

In July, self visited the Sea City Museum in Southampton, which has a fantastic exhibit on the Titanic.

Until then, self had no idea about:

  1. Where do icebergs come from?
  2. Where are icebergs made?
  3. Which part of the Titanic sank first: the bow, or the head?
  4. Poop decks: what are they?

Here is a floor map of the city of Southampton. The red dots mark the homes of the crew who went down on the Titanic. Apparently, a majority of the Titanic’s crew of 897 were from Southampton. Of the almost 900 crew members, only 212 made it home. Which makes perfect sense when you are reminded (by the exhibit) that the crew bunked in the bowels of the ship, near the engines. They had no chance to escape once the ship hit the iceberg (It took less than an hour for the ship to become completely submerged)

Floor Map of the City of Southampton, part of the Sea City Museum's Titanic Exhibit

Floor Map of the City of Southampton, part of the Sea City Museum’s Titanic Exhibit

Further Areas of Southampton Showing Homes of the Titanic crew who drowned

Further Areas of Southampton Showing Homes of the Titanic crew who drowned

As self said earlier, it’s a floor map.

Here’s her friend Joan McGavin, who lives in Southampton, pointing out other place markers to self.

Joan McGavin pointing to (something?) on the floor map of Southampton at the Sea City Museum: July 2015

Joan McGavin pointing to (something?) on the floor map of Southampton at the Sea City Museum: July 2015

It was a fantastic exhibit. Self highly recommends it to anyone who has heard about the Titanic, watched the movie, or just wants to know about social classes in England in the early part of the 20th century.

Stay tuned, dear blog readers. Stay tuned.

Women in Heels

Self is short.

Short. Short. Short. Short.

Granted, short is not a disease.

Nevertheless.

On the question of heels. Last week, went to the Victoria & Albert Museum, lined up to pay 12 GBP to see exhibit on footwear called, if self remembers correctly: Shoes:  Pleasure & Pain.

Fabulous Chihuly: In the Lobby of the Victoria & Albert Museum, London

Fabulous Chihuly: In the Lobby of the Victoria & Albert Museum, London

The torture aspect was, in self’s humble opinion, very de-emphasized. Self has seen more torturous shoes (including one fabulous pair with moss growing on the heels) in Greenwich Village in New York City.

And now to “Jurassic World,” which self has not seen, but which seems to have triggered some very strong audience reaction to Bryce Dallas Howard’s choice of footwear. It seems she keeps the heels on, throughout the movie.

Now, let self ponder this a moment.

Self has seen, in Italy, women running flat out for a bus in the highest, stiletto-heeled shoes imaginable. They look great. Also, super-powerful.

She has watched episodes of “Sex and the City” in which Sarah Jessica Parker, post-baby, runs flat out down a New York avenue in Jimmy Choos.

Let’s not forget Jodie Foster in Spike Lee’s Inside Man, the one where she plays an oh-so-smooth New York lawyer representing the Rich Bad Guy who profited from the theft of Jewish assets during World War II. Self thinks that if she had a lawyer who wore four-inch heels as confidently as Jodie Foster’s character does (and Jodie’s legs are the best legs self has seen on film since — since — the woman in Brian De Palma’s Dressed To Kill), she would rest easy in the conviction that she would win all her cases.

On the other hand, there is always an exception to the rule. Exhibit A: Paula Patton, who in the most memorable scene in Mission Impossible: Ghost Protocol (one of the sequels, the one shot in Dubai), kicks off her heels, leaves on the powder-blue shift dress, and FIGHTS. Really FIGHTS. Afterwards, she sits chatting with her group, all men. She remains barefoot, but still wearing that fabulous dress. The only indication that she’s been IN a fight (because, ya know, she’s as cool as a cucumber. Or at least her character is. She has antagonists like Lea Seydoux for breakfast. Honestly) are her bare feet.

And now we arrive at Bryce Dallas Howard, who in side-note self must say is one of the most unusually interesting-looking actresses working today.  Because her character, Clare, never takes off her shoes, we are left to debate the fine points of female fashion choices. Self means: Is it rational to keep on the heels when one is being chased by a velociraptor?

Self can think of many reasons why Clare would choose to keep wearing her shoes: (1) Jungle floors are slimy; (2) She does not have hiking boots in her closet, or even in her desk drawer at work, or even under her desk in her office at work.

A guest post by Lesley Holmes on clothesonfilm makes the point: “I think the makers of Jurassic world believed that showing a woman capable of running in heels was the same as showing us a capable woman . . . ” Of course! This is a very old Hollywood trope, just about as old as the idea of the director auteur (born with Citizen Kane, which means — a long long time ago). If you want to know how powerful a woman character is, just look at what she’s wearing on her feet, for God’s sake!

Self would just like to say that while she was in line in the women’s restroom at the Gielgud Theatre, during the intermission for The Curious Incident of the Dog in the Night-time, self engaged a young woman in conversation, and then expressed admiration for her shoes. They looked just like the Sam Edelmans self bought last year in California, but this woman’s shoes were flats. The young woman looked at self regretfully and said, “They’re super-painful. See?” She slipped her right foot out of her shoe and there, plain as day, was the beginning of a blister. Aaargh! The things self sees in women’s restrooms! Which is neither here nor there. But it brought home the lesson that flats are just as capable of giving a woman blisters as are Manolo Blahniks or Jimmy Choos.

Self realizes that she herself has very little to say about the wearing of high heels, but in Hollywood, the woman who wears the highest heels is usually the most powerful woman on the block. She’s just saying.

Stay tuned.

Off-Season 2: Dandelions at the Victoria & Albert Museum

Self loves London. Absolutely loves, loves, loves. If she were to spend her last farthing, she’d want to do it in this city.

It’s not the most beautiful (although there’s plenty of beauty around). It’s not even the most affable. It rains a lot. But it has a hold on her heart (all the more so now because — hello, Victorian Steampunk! The London Institute of the Clave! Shadowhunters! The Infernal Devices! Will Herondale!)

This week’s WordPress Photo Challenge is OFF-SEASON.

OFF-SEASON as in: Umbrellas in winter? Balaclavas in July?

The Hunger Games has been very much on self’s mind.

Why? Because yesterday, in Cambridge, friend Dodo told self that another former classmate had visited Cambridge, and she and Dodo had gone to the Harry Potter museum just outside London.

And self wondered when that much-ballyhooed Hunger Games theme park was ever going to open?

Anyhoo, today self went across London to the Victoria and Albert Museum. It was crowded, of course, but not off-putting.

Self decided to go see the WHAT IS LUXURY exhibit.

The exhibit includes a fabulous artwork made out of real dandelion seeds, embedded with LED lights to make a chandelier.

Self associates dandelions with The Hunger Games because of Peeta Mellark (one of her all-time favorite literary characters). Katniss, for those who are completely out of the zeitgeist, ends up with Peeta in the end because he is her “dandelion in the spring.”

And, hello, it is summer. Or, anyway, past the season for dandelions.

So here’s a shot of a fabulous chandelier at the Victoria and Albert:

At the Victoria and Albert Museum: Real dandelion seeds were harvested before opening into

At the Victoria and Albert Museum: Real dandelion seeds were harvested before opening into “clocks” and then were individually applied to LED lights to make this chandelier.

In keeping with the rather soggy weather, here’s the London Eye ferris wheel. Ferris wheels symbolize summer (at least they do for self), but because of London’s grey skies, the symbolism today (Self took this picture while meandering across the Waterloo Bridge) felt rather muted. So, here’s a most somber-looking ferris wheel:

The London Eye Viewed from Waterloo Bridge

The London Eye Viewed from Waterloo Bridge

Anyhoo, yesterday in Cambridge, it was rainy. Dodo took self on a punt ride on the river Cam. It was so wet that we had to bring umbrellas and hide under blankets. Self even had to buy a raincoat for the occasion. Here’s a shot of the inside of our punt. A great time was had by all:

Dodo (who lives in Cambridge) and Self in a Punt! On a Rainy Afternoon in Cambridge, UK.

Dodo (who lives in Cambridge) and Self in a Punt! On a Rainy Afternoon in Cambridge, UK.

Stay tuned, dear blog readers. Stay tuned.

Vivid 2: 28 Chinese Artists at the San Francisco Asian Art Museum

This week’s WordPress Photo Challenge is VIVID.

To self, “vivid” is all about color. Or warmth. Or illumination.

Self spent yesterday afternoon at the Asian Art Museum (The traffic heading into San Francisco is just horrible, UGH) and saw many vivid pieces of art from the current show, “28 Chinese Artists From the Ruddell Family Collection” :

Tattoo 11, 1994 by Qiu Zhije (b. 1969, Fujian China)

Tattoo 11, 1994 by Qiu Zhijie (b. 1969, Fujian China)

“Darkness Illuminates Me” by Qiu Zhijie, 2009

The artist Zhang Huan covered his body with honey and oil and sat in a public toilet (Size: 12 square meters) and waited for the flies to land, then had someone take his picture:

“12 Square Meters” by Zhang Huan (b. 1965, Henan, China)

Stay tuned, dear blog readers. Stay tuned.

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