Self’s Biblical Revisionist “The Ark” (Local Nomad, Spring 2015)

The theme of the Spring 2015 issue of Local Nomad (edited by Filipino American poet Jean Vengua) was: KILLING GROUND.

Jean solicited a story from self; the short story she sent Jean was “The Ark.”

Accepted!

She wrote the story after watching Darren Aronofskly’s wild and fabulous “Noah,” starring Russell Crow and Jennifer Connelly.

  • Cruelty, he taught his sons, was essential.

Animals of all kind fascinate self, she’s not sure why.

Here’s an illustration from a children’s picture book called, simply, The Ark:

Illustration for Children's Book, THE ARK

Illustration for Children’s Book, THE ARK

Stay tuned, dear blog readers. Stay tuned.

Ramblings: PANK Going Off-line/ J Journal List of Pushcart-Nominated Stories and Etc.

PANK, the on-line literary magazine, is going off-line in December.

WOE!

PANK published a story of self’s in issue 9.5 — “Seeing.”

She isn’t sure what’s going to happen now to the archived stories. Do they just disappear?

Here’s a link; it’s at least viable until PANK goes off the grid:

http://pankmagazine.com/piece/seeing/

*     *     *     *     *

And, while self is at it, here’s another link, this to the Pushcart-nominated stories that appeared in J Journal, one of which was self’s “Magellan’s Mirror” (Volume 5, No. 2, Fall 2012)

http://johnjay.jjay.cuny.edu/jjournal/V5N2/Villanueva_MagellansMirror.pdf

J Journal published an excerpt from “Magellan’s Mirror,” here:

http://johnjay.jjay.cuny.edu/jjournal/V5N2/Villanueva_MagellansMirror.pdf

*     *     *     *     *

And, while on the topic of Pushcart nominations, last year, her story “The Elephant,” was nominated by Your Impossible Voice.

She has had several of these already, stretching back decades. Let’s see, how many already? Five or six.

Stay tuned, dear blog readers. Stay tuned.

These Characters Self Writes

Self adores FictionFeed.net for doing that piece on her. She’s started following them on Twitter.

The writer of the piece (on her story “First Life” in Juked) is listed simply as Curator. Here’s an excerpt:

No, the story isn’t particularly out of the ordinary, but its narrator (a boy by the name of Dragon) makes up for that in spades, with a wildly unusual voice and bendy-spoon perspective that basically defamiliarize the story’s world in its entirety.

Some time ago, self began writing stories about male characters on the edge, she’s not sure why.

Recently, she’s been thinking of another of her Male-Characters-on-the-Edge, from a story called “Crackers” that appeared in Crab Ochard Review’s The West Coast & Beyond Issue (Vol. 19, No. 2, which is also going to be the focus of a panel in next year’s AWP: Midwest Magazine Searches for West Coast Writers, YAY!).

Crab Orchard Literary Review's The West Coast & Beyond Issue (Vol. 19, No. 2, Summer/Fall 2014)

Crab Orchard Literary Review’s The West Coast & Beyond Issue (Vol. 19, No. 2, Summer/Fall 2014)

Hello, “Crackers” is speculative fiction, so of course crazy. Do not expect real-world Philippines, and you will be okay:

In December 2012, I finally emerged from the wild mountain fastness of the Philippines. My left shoulder had a tattoo of a python, my right a tattoo of a kris, the blade of choice of the mountain tribes. I wore a necklace of red parrot beaks. I spoke only in monosyllables. They said I was crackers.

They made me register at the Palo Alto VA for a psychiatric evaluation.

Thank you, Juked, thank you, Crab Orchard Literary Review, for taking a chance on self’s crazy writing.

Stay tuned, dear blog readers. Stay tuned.

Self Wrote a Story About Climate Change: “The Freeze”

Apocalyptic, Dystopian, blah blah blah

The world is slowly dying, and — there’s no way to explain why an old woman is the only one in her family who survives, and why she ends up riding piggy-back on a teen-age boy (Hunger Games Catching Fire was an influence. Definitely:  Finnick and Mags) and they decide to follow Highway 1 as far south as they can. No electricity, no cars, no telephones. Just — the very edge of despair. Funny, she writes science fiction but her stories are pretty low on the science. Maybe she should start referring to them as allegories.

It was probably the Russians. Putin called Obama’s bluff, or maybe it was the other way around. The outcome — we were the outcome.

How still he was in the last broadcast. His suit looked too big for him. His hair had gone entirely gray. Funny, Obama had been young just six years ago.

— published by Bluestem, Spring 2015 Issue

Matthew Park’s Illustration for “The Freeze”

Lately, self has been writing science fiction in the apocalyptic vein.

She wrote a story called “The Freeze” which imagined a woman as the only survivor of a drastic temperature drop, who decides to abandon her home city of San Francisco and head south. Along the way, she encounters a band of teen-agers; they all somehow find each other while stumbling around in the dark. She joins their group. Keeping the Pacific Ocean to their right, the group heads for Mexico (What? You expected them to come up with a better plan? They’re all starving, freezing, and in semi-shock. Sorry, this was the best anyone could come up with)

The story’s been published on Bluestem (Spring 2015) but here’s the illustration Matthew Park did for self.

Awesome. Awesome. Awesome.

TheFreezecover_concept02-3

Two of Self’s Flash Were Published This Month (April 2015)

“The Ark” is in the Spring 2015 of Local Nomad, an e-zine edited by poet Jean Gier.

“I Am Cyclops” is in the inaugural issue of Nimbus Cat, edited by novelist (and writing group member) Lillian Howan.

Both are speculative fiction.

Local Nomad

Local Nomad took self’s Biblical Revisionist Story “The Ark.”

YAY YAY YAY YAY!

The editor called it “lovely and disturbing.”

Here are their submission guidelines.

Stay tuned.

 

The Metamorphosis Generator

From A Work-in-Progress:

The Jaguar I know is a bit much. Especially for the country. But Wolfgang must have his toys. The Jaguar, the helicopter, the espresso/ice cream machine, the Jacuzzi with 20 different spurt settings, the 80-inch flat-screen HDTV, the four-foot Bose speakers, the laser wrinkle removers, the Do-It-Yourself Botox injectors and hair implantation devices, the state-of-the-art dollar-printing mechanism, the 3D Alternate Universe Hologram, the foot-high platform shoes with the massage feature, the metamorphosis generator . . .

Once, he trapped a fly in the metamorphosis pod, and what emerged was a woman with wondrous, bulbous dark eyes and gossamer hair.

Stay tuned, dear blog readers. Stay tuned.

 

WARM BODIES Redux: Carrie Ryan’s “After the Cure” (In AFTER: NINETEEN STORIES OF APOCALYPSE AND DYSTOPIA)

from Carrie Ryan’s story, “After the Cure,” in After: Nineteen Stories of Apocalypse and Dystopia, edited by Ellen Datlow and Terri Windling:

An ex-vampire reflects:

In that moment I wasn’t sure where the monster ended and where I began. I know the government just wanted me to go back to the life I’d lived before, but the monster always stretched under my skin as a memory. My nails always a little thicker than before, my hair a little thinner. The taste of animal meat never enough as it used to be.

I wondered why they even bothered curing us.

Stay tuned, dear blog readers. Stay tuned.

 

Winner of Calvino Prize Announced by University of Louisville

(And you know, self joined this year. Why else do you think she’d be so interested in the outcome? Don’t look too hard at the list of runners-up, her name isn’t there LOL. The judge was Robert Coover.)

2014 Calvino Prize Winner:  Micah Dean Hicks, “Flight of the Crow Boys”

Runner-Up: Alisa Alering, “The Night Farmers’ Museum”

Finalists:

David James Poissant, “Minotaur”

Jill Birdsall, “Dandelions”

Hubert Vigilla, “Here Be Dragons”

Emily Temple, “My Past and Future Selves Eat Pasta”

Bree Barton, “Sexing the Starling”

Aline Zybum, “The Vending Machine”

Judith Edelman, “The Parchment Is Burning, but the Letters Soar Freely”

Andrea Witzke Slot, “Where Our Hands Rest in the Night”

Caroline Belle Stewart, “Widow”

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