Preparing, OSSW Day One

Drove up to Mendocino, which as the crow flies is only 200 miles from Redwood City, but always takes self at least FIVE HOURS.

On the way, she stopped by Yorkville Market and had lunch:

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And then she mulled over the writing exercises she should start tomorrow with.

Should she have the students practice writing one very, very, very long, run-on sentence? With points to whoever can come up with the most run-on sentence?

Or, for fun, should she have them write a piece that’s all bad grammar and deliberately wrong spelling? Hamberder, anyone? Smocking guns?

Should she have them write a piece that’s all dialogue?

Should she ask them to capture every nuance of a piece of reality . . . in one sentence?

Should she have them practice writing a conversation that grows from an association of ideas (like a Harold Pinter play?)

Should she have them practice delaying the outcome for as long as possible?

She can’t decide. She’ll have to sleep on it.

BTW, this is one of the plays being presented by the Mendocino Theatre Company in 2019:

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Mendocino Theatre Company, 2019 Season

Stay tuned.

Cal Shakes’ THE WAR OF THE ROSES: FIERCE

Oh, kudos, Cal Shakes. Kudos for everything. For the chart showing the House of Lancaster and the House of York, for the jumbotron messages above the stage (BOO! and RICHARD IS DEAD! were so on point!)

It was a lovely way to spend a late summer afternoon.

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In choosing the seats, self noticed most of the tickets taken were on the LEFT side of the amphitheatre (Section E). She figured that must be because of the sun. When it strikes directly, and you’re sitting there for four hours (yes, the play was four hours: it passes quickly), it is not fun. So she snagged the last three tickets on the left side, which were in the next to last row.

She’s never before sat so far from the stage, but it worked out perfect because this was a large-cast production, with a lot of comings and goings, and from higher up you can really appreciate how every inch of that stage is put to good use.

Self’s only regret was that she did not spring for a button saying, THOU TOAD! ‘Twas only $3.

Both she and son forked up cash for the donation bucket. (This year’s fundraising goal is $150,000)

Stay tuned, dear blog readers. Stay tuned.

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The set for The War of The Roses was amazing, as were the costumes. Kudos to Scenic Designer Nina Ball and Costume Designer Anna R. Oliver.

 

#amreading: THE MISSOURI REVIEW, Spring 2012

OMG self hangs on to these literary magazines forever!

This issue of The Missouri Review has a theme: FAMILY.

Speer Morgan expounds in his Foreword:

When one sets about doing harm, the people most likely to be hurt are the ones across the table, if only by reason of proximity. Look up quotes on the word ‘family’ and much of what comes up is either sarcastic or humorous. Hamlet’s stepfather says to him, “My cousin Hamlet, and my son,” and the young prince responds, “A little more than kin, and less than kind,” with both “kin” and “kind” carrying multiple levels of dark irony. This is the norm even when your stepfather/uncle didn’t murder your father and marry your mother. Bring up the issue of relatives, and mockery soon follows. “I had no blood relatives until I made some,” says comedian Andy Dick.

Stay tuned, dear blog readers. Stay tuned.

 

2017 Favorite Photos

The theme for this week’s Daily Post Photo Challenge is 2017 Favorites.

Here goes!

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The Prince Albert Memorial on a Beautiful Day in Hyde Park, London, Late October 2017

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Leaving the Globe after a performance of “Tristan and Yseult,” Tuesday 13 June 2017

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The Main House in the Tyrone Guthrie Centre in Annaghmakerrig, Under a Crescent Moon

What. A. Year.

Stay tuned, dear blog readers. Stay tuned.

#amreading: King Henry the Fourth, Part 2

Prince: Shall I tell thee one thing, Poins?

Poins: Yes, faith, and let it be an excellent good thing.

Prince: It shall serve, among wits of no higher breeding than thine.

Poins: Go to, I stand the push of your one thing that you will tell.

Prince: Marry, I tell thee it is not meet that I should be sad now my father is sick; albeit I could tell to thee, as to one it pleases me for fault of a better to call my friend, I could be sad, and sad indeed too.

Poins: Very hardly, upon such a subject.

Prince: By this hand, thou thinkest me as far in the devil’s book as thou and Falstaff, for obduracy and persistency. Let the end try the man. But I tell thee, my heart bleeds inwardly that my father is so sick; and keeping such vile company as thou art hath in reason taken from me all ostentation of sorrow.

Poins: The reason?

Prince: What wouldst thou think of me if I should weep?

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The Lake at Annaghmakerrig, Early Morning

Cee Neuner: Flower of the Day, 12 October 2017

For Cee Neuner’s Flower of the Day photo prompt:

A shot of the Orinda Hills, last month, as self was leaving Bruns Amphitheatre after watching Measure for Measure:

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Flowers in the photograph are teensy. She thinks those are penstemons.

Pray the California wildfires cease.

Stay tuned, dear blog readers. Stay tuned.

SATISFACTION: Best of Self’s 2017

  • Share a photo of something that brings you satisfaction. It can be monumental, minor, or something in between.

Jen H., The Daily Post

For this post, self decided to kill two birds with one stone. She’ll look back at her fondest memories of 2017 (thus far) — the moments that gave her the most satisfaction.

 

Going to the Globe and seeing Tristan and Yseult; sorting through old photographs of Dearest Mum; seeing the Eiffel Tower up close; reading her story First Causes at Sixth Engine in Washington, DC; watching Mayerling at the Royal Albert Hall; visiting Cork; Tyrone Guthrie Centre

Stay tuned, dear blog readers. Stay tuned.

More Unusual

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Jessica Dunne exhibit at B. Sakata Garo Gallery, 20th Street, downtown Sacramento

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Self loves bright colors!

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A T-shirt from the gift shop at Shakespeare’s Globe: A Quote from Romeo and Juliet

#amreading: Saturday, 1 July 2017

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Emma Rice: Shakespeare and Love

This year, self was fortunate enough to catch two plays at Shakespeare’s Globe: Twelfth Night and Tristan and Yseult.

Both plays were terrific. But only one was truly unforgettable, because self watched it her last night in London, that fabulous city.

Here’s an excerpt from the Tristan and Yseult programme, written by Director Emma Rice:

Love, I celebrate it, practise it, mourn it, and fight for it.

But my appreciation and experience of this most seductive of topics is dwarfed by Shakespeare’s understanding of love. My mind spins when I imagine how his life must have been: how hard he worked, how far he travelled, how dark and scary the landscape he lived in was. If I close my eyes and propel my imagination back in time, I hear the tectonic plates of the planet creak, I see the ground opening up and Shakespeare clambering out of a deep crack in the earth’s surface, dusty, desperate and gasping for air . . . then, with the clarity of clear water, he sings from the earth he was born. Shakespeare gave voice to desire and to grief, to parenthood and to marriage. He charted the waters of courtship and the loneliness of a failing marriage. He mourned for us, married for us and betrayed for us. He gazed fearlessly into the human existence like no other, before or since.

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Shakespeare’s Globe, Just Before the Start of “Tristan and Yseult,” June 2017

Stay tuned, dear blog readers. Stay tuned.

 

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