#amreading: King Henry the Fourth, Part 2

Prince: Shall I tell thee one thing, Poins?

Poins: Yes, faith, and let it be an excellent good thing.

Prince: It shall serve, among wits of no higher breeding than thine.

Poins: Go to, I stand the push of your one thing that you will tell.

Prince: Marry, I tell thee it is not meet that I should be sad now my father is sick; albeit I could tell to thee, as to one it pleases me for fault of a better to call my friend, I could be sad, and sad indeed too.

Poins: Very hardly, upon such a subject.

Prince: By this hand, thou thinkest me as far in the devil’s book as thou and Falstaff, for obduracy and persistency. Let the end try the man. But I tell thee, my heart bleeds inwardly that my father is so sick; and keeping such vile company as thou art hath in reason taken from me all ostentation of sorrow.

Poins: The reason?

Prince: What wouldst thou think of me if I should weep?

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The Lake at Annaghmakerrig, Early Morning

Cee Neuner: Flower of the Day, 12 October 2017

For Cee Neuner’s Flower of the Day photo prompt:

A shot of the Orinda Hills, last month, as self was leaving Bruns Amphitheatre after watching Measure for Measure:

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Flowers in the photograph are teensy. She thinks those are penstemons.

Pray the California wildfires cease.

Stay tuned, dear blog readers. Stay tuned.

SATISFACTION: Best of Self’s 2017

  • Share a photo of something that brings you satisfaction. It can be monumental, minor, or something in between.

Jen H., The Daily Post

For this post, self decided to kill two birds with one stone. She’ll look back at her fondest memories of 2017 (thus far) — the moments that gave her the most satisfaction.

 

Going to the Globe and seeing Tristan and Yseult; sorting through old photographs of Dearest Mum; seeing the Eiffel Tower up close; reading her story First Causes at Sixth Engine in Washington, DC; watching Mayerling at the Royal Albert Hall; visiting Cork; Tyrone Guthrie Centre

Stay tuned, dear blog readers. Stay tuned.

More Unusual

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Jessica Dunne exhibit at B. Sakata Garo Gallery, 20th Street, downtown Sacramento

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Self loves bright colors!

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A T-shirt from the gift shop at Shakespeare’s Globe: A Quote from Romeo and Juliet

#amreading: Saturday, 1 July 2017

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Emma Rice: Shakespeare and Love

This year, self was fortunate enough to catch two plays at Shakespeare’s Globe: Twelfth Night and Tristan and Yseult.

Both plays were terrific. But only one was truly unforgettable, because self watched it her last night in London, that fabulous city.

Here’s an excerpt from the Tristan and Yseult programme, written by Director Emma Rice:

Love, I celebrate it, practise it, mourn it, and fight for it.

But my appreciation and experience of this most seductive of topics is dwarfed by Shakespeare’s understanding of love. My mind spins when I imagine how his life must have been: how hard he worked, how far he travelled, how dark and scary the landscape he lived in was. If I close my eyes and propel my imagination back in time, I hear the tectonic plates of the planet creak, I see the ground opening up and Shakespeare clambering out of a deep crack in the earth’s surface, dusty, desperate and gasping for air . . . then, with the clarity of clear water, he sings from the earth he was born. Shakespeare gave voice to desire and to grief, to parenthood and to marriage. He charted the waters of courtship and the loneliness of a failing marriage. He mourned for us, married for us and betrayed for us. He gazed fearlessly into the human existence like no other, before or since.

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Shakespeare’s Globe, Just Before the Start of “Tristan and Yseult,” June 2017

Stay tuned, dear blog readers. Stay tuned.

 

Focus: The Daily Post Photo Challenge, 14 June 2017

The bokeh that resulted give the lights of the city a magical quality and creates a unique look for a heavily photographed location.

— David W., The Daily Post

Self had to look up the definition of “bokeh”, here.

Last night, self saw “Tristan and Yseult” at Shakespeare’s Globe. Such a beautiful, high-energy production, Emma Rice’s last as Director at the Globe.

Audience Leaving the Globe After “Tristan and Yseult”: Tuesday, 13 June 2017

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Leaving Shakespeare’s Globe after a performance of “Tristan and Yseult,” Tuesday 13 June 2017

Going home, over London Bridge, she snapped this shot of Big Ben:

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London Bridge Last Night, Around 10 p.m.

And this one of the London Eye:

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Stay tuned, dear blog readers. Stay tuned.

 

 

Quote of the Day: “Measure for Measure”

O, it is excellent
To have a giant’s strength, but it is tyrannous
To use it like a giant.

— Isabella, Act II, scene ii, Measure for Measure

HERITAGE: “My” Globe, Last Night

  • This week, share a photo that channels a living tradition, whether it’s your own or someone else’s.

— Ben Huberman, The Daily Post

This is her second post on HERITAGE. She deleted the first one, pictures of the Imperial War Museum. For the first time in forever, that post got 0 likes, go figure.

Self watched (last night) a kickass production of Twelfth Night, directed by Emma Rice, who’s departing the Globe after just two years at the helm. As a tribute to Ms. Rice (who famously told the Guardian two years ago: “Being childlike is underrated. It takes commitment.”) Self thinks this would be an appropriate time to share why she loves the experience of watching a play at the Globe, so much:

It’s so London. And London is a city absolutely buzzing with energy. Especially at night. Every year since her first Globe play (2014’s bloody Titus Andronicus), she watches at least one play at the Globe.

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Last Night: Heading home in a cab after watching “Twelfth Night”

At intermission, she heads straight for the wharf. This is the view:

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The Thames, Seen From Behind the Globe

It is an essential part of her Globe theatre-going experience.

Self still remembers her first sight (up close) of the Millenium Bridge. Her jaw dropped. She had no idea — no idea — that London had become this cool place. That was the moment when self fell in love, really fell in love with the city:

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The Millenium Bridge connects the South Bank to Saint Paul’s.

Stay tuned, dear blog readers. Stay tuned.

WIND: Sylvain Landry – Week 46

Saw “The Taming of the Shrew” at the Globe this evening, accompanied by Joan McGavin.

What. A. Fantastic. Production. Self can’t even.

The setting was modernized to Ireland, 1916, and the Irish music was so lively and helped keep up the tempo of the production.

The actress who usually plays the lead was “indisposed,” so the role of Catherine/Kat was played by the understudy. Who was terrific.

At the intermission, self went outside to look at the view.

There was a stiff wind.

Good thing she remembered the Sylvain Landry Photo prompt this week: WIND.

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View From Behind the Globe Theatre: 1 June 2016. Self and Joan McGavin watched “The Taming of the Shrew.”

Stay tuned, dear blog readers. Stay tuned.

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