nth Draft, Novel-in-Progress

Mebbe this novel will never see the light of day? Mebbe it was ever meant to be a long short story? Like, 50 pages long?

Here’s a conversation that was in the very first draft, three years ago. And survived today’s mad pruning. So, this is the kernel. The nut. The Ground Zero:

“Describe it,” the Archbishop says. “Did it descend from the heavens? Or was it walking along the street? Was its countenance clearly visible? Did it seem expressive?”

The Archbishop’s deep-set, green eyes focus intently on Matias’s face. He presses one slender forefinger against the side of his aquiline nose and waits for Matias to answer.

“It was a creature. Earthy. Very like a cow.”

Stay tuned, dear blog readers. Stay tuned.

 

Heartfelt Thanks to These Intrepid Tweeters For a Year’s Worth of Sanity

@ProPublica

@mcspocky

@RealRBHJr

@marion_mcgarry

@TriskelCork

@LillianHowan

@NSIDC

@dailywalks

@TheMarySue

@RWAKissofDeath

@JanetFitch323

@_kingslayer2017

@WatchersOTWall

@kate_mccrea

@GraceLP

@Pigsyinspace

@jeanleesworld

@ErinLMcCoy

@FreeFolkMemes

@ASOIAFQuotesGOT

@thedailybeast

@karltaro

 

More from Joan Acocella on Martin Luther (The New Yorker, 30 October 2017)

Still reading the Joan Acocella essay from a month and a half ago. It’s a great essay which somehow also manages to call up Freddie Krueger and his origin story (but self will not mention that here, as it’s getting close to Christmas).

In addition to fascinating examples of Luther’s ripe way with speech, it brings up Luther’s anti-Semitism (which was not uncommon at the time).

Acocella on the Jews: “Luther despised them dementedly, ecstatically.”

Then follows many scatological references. Also, this:

  • “what makes Luther’s anti-Semitism most disturbing is not its extremity (which, by sounding so crazy, diminishes its power)”

which recalls the present day (calling 45 “mental” thereby diminishing him — which does our country no favors because, after all, 45 is a dangerous guy, and probably NOT crazy)

Martin Luther lived to “an old age”: 62. But “the years were not kind to him . . . He spent days and weeks in pamphlet wars over matters that, today, have to be patiently explained to us, they seem so remote.”

This is sad!

Stay tuned, dear blog readers. Stay tuned.

 

Martin Luther: Importance

Excerpts from The Hammer: How Martin Luther Changed the World, by New Yorker critic-at-large Joan Acocella (The New Yorker, 30 October 2017)

The crucial text is his Bible: the New Testament, translated from the original Greek and published in 1523, followed by the Old Testament, in 1534, translated from the Hebrew. Had he not created Protestantism, this book would be the culminating achievement of Luther’s life.

*     *     *

Luther very consciously sought a fresh, vigorous idiom. For his Bible’s vocabulary, he said, “we must ask the mother in the home, the children on the street,” and, like other writers with such aims — William Blake, for example — he ended up with something songlike. He loved alliteration — Der Herr ist mein Hirte (“The Lord is my shepherd”); Dein Stecken und Stab (“thy rod and thy staff”) — and he loved repetition and forceful rhythms.

*     *     *

The books also featured a hundred and twenty-eight woodcut illustrations, all by one artist from the Cranach workshop, known to us only as Master MS.

*     *     *

The three-thousand copy first edition of the New Testament, though it was not cheap (it cost about as much as a calf), sold out immediately.

#amwritinghistoricalfiction: The English Arrive on Isla del Fuego

p. 243 of self’s novel-in-progress:

An English officer stands on the beach, waiting at attention. Matias gapes.

“England has attacked Spain, sir,” the man announces. “We have 5,000 soldiers in Manila. Colonel Chisholm.”

Detective Mick “Scorcher” Kennedy of the Dublin Murder Squad, p. 91

We had been looking for the thing they had done wrong. Now we were looking for the thing that they could never have guessed they were doing wrong.

Broken Harbour, by Tana French

 

Best Female Crime/Mystery/Thriller

Self is reading her first Tana French, Broken Harbour.

She’s pretty stoked, as she’s been hearing so many good things about Tana French, for years now.

The last mystery self read was almost a year and a half ago, Paula Hawkins’ The Girl on the Train (which she liked very much; Emily Blunt and Luke Evans were in the movie adaptation, sorry she missed seeing it)

Other favorite women mystery writers:

  • Morag Joss (for Half-Broken Things)
  • Karin Fossum
  • Ruth Rendell
  • Sarah Waters

Over on goodreads, there’s a list of “Best Female/Crime/Mystery/Thriller Writers.”

On this list, Broken Harbour is # 21.

The Girl on the Train is # 42.

Holy Cow, Fingersmith is #50 (No way. There’s just no way)

The list doesn’t even include Fossum or Rendell (As Septa Mordor on Game of Thrones would say: Shame! Shame! Shame!)

Stay tuned, dear blog readers. Stay tuned.

 

 

 

Sentence of the Day: Tana French

  • If you put your energy into thinking how much the fall would hurt, you’re already halfway down.

— p. 1, Broken Harbor, Tana French

Sentence of the Day: Gerald Weales

  • A play is a kind of — playing.

— Gerard Weales, A Play and Its Parts (Basic Books, 1964)


Self found this book today, while she was rummaging in a cabinet of her cottage at the Tyrone Guthrie Centre in Annaghmakerrig.

Stay tuned.

Poetry Saturday: “Trenarren, Autumn 1941”

An excerpt from Trenarren, Autumn 1941

by A. L. Rowse

The thunder-green sea
Brings nearer the Island
On which stood the chapel
Of Michael the Archangel.

Smoke from a chimney
In the V-shaped valley,
The voices of children,
A robin on the bough:

Familiar and cheerful
Domestic noises
Speak of contentment
About me now.

But what is to come?
I ask myself, waiting
In this burial-place
Of my ancient people.


from A. L. Rowse’s collection Poems, Chiefly Cornish (London: Faber and Faber), dedicated to Edward Sackville West, “in our common passion for Cornwall”

Stay tuned.

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