Words: Rosario Ferré

I write because I am poorly adjusted to reality; because the deep disillusionment within me has given rise to a need to re-create life, to replace it with a more compassionate, tolerable reality. I carry within me a utopian person, a utopian world.

— from the essay The Writer’s Kitchen, Feminist Studies 12, no. 2 (Summer 1986), translated from the Spanish by Diana L. Velez

A minute ago, self decided to google Ferré and learned she had passed away, 18 February 2016. She was 77.

Noooooooo!

DSCN9989

The View Across the Street From the Gallery Bookshop, Main Street, Mendocino, 21 April 2018

Stay tuned, dear blog writers. Stay tuned.

The Writer’s Kitchen: How To Let Yourself Fall From the Frying Pan Into the Fire, by Rosario Ferré

Translated by Diana L. Velez

Feminist Studies 12, no. 2 (Summer 1986)

Throughout time, women narrators have written for many reasons: Emily Bronte wrote to confirm the revolutionary nature of passion; Virginia Woolf wrote to exorcise her terror of madness and death; Joan Didion writes to discover what and how she thinks; Clarice Lispector discovered in her writing a reason to love and be loved. In my case, writing is simultaneously a constructive and a destructive urge, a possibility for growth  and change. I write to build myself word by word, to banish my terror of silence; I write as a speaking, human mask. With respect to words, I have much for which to be grateful. Words have allowed me to forge for myself a unique identity, one which owes its existence only to my own efforts. For this reason, I place more trust in the words I use than perhaps I ever did in my natural mother. When all else fails, when life becomes an absurd theater, I know the words are there, ready to return my confidence to me.

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