If Daphne du Maurier were alive today, she would be an indie filmmaker. Her stories, her eye, her ear — perfect for cinema.
As is this novel self has been reading for almost a month: The Parasites.
She generally dislikes du Maurier endings, but loves her books for the absolute authority of her voice, and for her painterly eye.
If she were to cast the film adaptation, hmmm. Who would be Niall? Someone dark-haired, tall and slender.
Who would she cast as Maria? Someone blonde, tall, and slender, and also pretty.
Who would she cast as Celia? Someone not-blonde, not-tall, slightly overweight, and not-pretty,
These three siblings have self shaking her head; she sees a little of herself in all of them.
The first jump cut in The Parasites was after Lord Charles walks in on Maria disrobed in front of her (step)brother Niall. Suddenly, here we are a year later, and Maria has an infant named Caroline.
The next jump cut has just happened: Last we saw them, the sibs were in their mid-20s. Now they’re in their mid-30s. But self is so happy to see them all alive and together, no matter their age.
Niall is reminiscing about Freada (is she still around? Probably not, she was quite a bit older):
- This was one of the many things he had learnt from Freada. ‘Carry what you can upon your back,’ she used to say. ‘It all saves time and temper. Have no real possessions. Stake no claim. This is our home, for three, for two nights only. This studio, this lodging-house, this unfamiliar room in a hotel’ . . . Once they went a bust and took a suite in a palatial kind of palace in Auvergne . . . She got up at eight in the morning and went off to drink the waters or have the waters poured upon her, Niall never really knew which; but he used to lie in bed until she returned in the middle of the day, and he read every one of the works of Maupassant, the book in one hand and a bar of chocolate in the other.
The way Niall’s getting all nostalgic makes self worry that Freada is dead.
Stay tuned, dear blog readers. Stay tuned.
