April 25 BRIGHT SQUARES

Self hasn’t missed a day in April! Here’s how to join:

Post anything that’s

sparkling, polished, shining, clever, cheerful, colourful, astute, brilliant, sunny, glorious, translucent, distinct and clear

But whatever you post has to be in the shape of a square. Get inspired by the galleries on The Life of B.

Today, a gallery of Calders from the Calder/Picasso exhibit at the de Young Museum, Golden Gate Park. Photo # 3 is Calder’s homage to Josephine Baker. LOOOVE the fish.

’twas a memorable exhibit. Going on at the same time as the Frida Kahlo.

Stay safe, dear blog readers. Stay safe.

Your Frida Kahlo Picture of the Day: Apr. 23 BRIGHT SQUARES

April Bright Squares have been so much fun!

The host of this challenge is Becky at The Life of B.

Yesterday was her birthday. Happy, Happy Birthday, Becky!

Self took loads of pictures at the de Young last Tuesday. And she bought the Frida Kahlo exhibit catalogue (a steal at $19.99). The exhibit was supposed to open last year, self had a ticket for March 2020. Finally, finally, over a year later, she saw it!

Stay safe, dear blog readers. Stay safe.

April 21 BRIGHT SQUARES: Kahlo and Calder at the de Young Museum

Want to join in the fun?

Every month, Becky at The Life of B announces a new Squares Challenge. The challenge for April is BRIGHT.

Stay safe, dear blog readers. Stay safe.

Dan Gets Out of His Father-in-Law’s Mercedes: He Is Not a Happy Man

The Snakes (never mind the page, it’s somewhere near the end, that’s all self can give you).

Dan is clearly not a happy man. He even casts shade on what’s become of the old Battersea Power Station.

Battersea Power Station is, in self’s humble opinion, A GREAT RECYCLE OF INDUSTRIAL ARCHITECTURE. It’s now the Tate Modern. OK, maybe it’s a little grim. But that’s just the outside. The art inside is fabulous!

Of course it would go. Everything went. Like Battersea Power Station before it, a place like that was marked for destruction . . . He leaned against a wall and watched the people going by, and the girl cooking the curry in the wok . . . She’d been joined by a friend who had propped up a sign saying ‘vegan.’ She smiled at Dan. He didn’t like white girls with braids . . . He put his hands in his pockets and walked away, out into the noise of Rye Lane, towards the station . . . He was nearly crying when he got to the station, and he didn’t even know why.

Lighten up, Dan!

Self can’t WAIT to see how this novel ends. According to 80% of the people who left reviews on goodreads, it’s going to be terrible.

Self’s next read is an Elmore Leonard short story collection, and those stories will be as far from contemporary London as one can possibly imagine.

Stay safe, dear blog readers. Stay safe.

 

 

Tweet of the Day

next time you see a man three times your size riding a lion in the forest in the festive period do not doff your cap — call the police

— Royal Academy @royalacademy

BOOM!

Thursday Read: The Economist, 16 March 2019

An article on Artemisia Gentileschi is in the Books section.

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Illustration: Gentileschi’s Judith Beheading Holofernes

“Gentileschi’s Self-Portrait as St. Catherine of Alexandria was acquired last year by the National Gallery in London, becoming only the 21st work by a woman in a 2,300-piece collection.”

Artemisia Gentileschi was the “first female artist to be admitted to the Accademia delle Arti del Disegno in Florence.” She was raped by Agostino Tassi, who her father had hired “to teach her perspective.” Her father “petitioned the pope for compensation. His daughter was considered damaged goods.” The case went to trial. Tassi, found guilty, “was exiled from Rome,” but continued to receive commissions from successive popes.

Gentileschi was “married off to a mediocre artist” but “nevertheless set up her own studio . . . She worked in Naples and London. She became the great artist she always wanted to be.”

“A play about Gentileschi’s travails that won awards at the Edinburgh Fringe Festival last year, transferred to London and will soon be staged elsewhere.”

“Roughly 60 paintings by Gentileschi survive . . . ”

Stay tuned, dear blog readers. Stay tuned.

Cee’s Fun Foto Challenge: Horizontal Line(s)

Cee’s Fun Foto Challenge this week is: Horizontal Line(s). Self browsed through her photos and found these from Saturday, 16 June.

Went to the City to see the Rube Goldberg exhibit.

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Lobby, Contemporary Jewish Museum, San Francisco

Afterwards, self chilled in the backyard. It was a beautiful day!

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Backyard, Redwood City

About the Louvre’s Islamic Art Collection

A few weeks ago, self participated in The Daily Post’s Photo Challenge OUT OF THIS WORLD by posting pictures of the Islamic Art Collection at the Louvre, which she visited in May 2017.

Regular readers of this blog know that museums are self’s jam!

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The Louvre’s Islamic Art Collection, which opened to the public in September 2012. Self visited in May 2017

The Louvre’s Islamic Art Collection is absolutely amazing.

Allan G. Smorra, whose blog self follows at Ohm Sweet Ohm left a comment. She didn’t have an answer for him (he asked who designed the space) and at the time she was too busy to look it up.

Today, freshly returned from AWP Tampa, and enjoying a few days’ rest before her next trip (to Long Beach, for a reading with other Pinay authors on Saturday, 17 March, at Philippine Expressions Bookshop in San Pedro), she decides to see if she can find out more about the Islamic Art Collection at the Louvre and found this link on the Louvre’s Official Home Page.

The space opened to the public in September 2012. The architects were Rudy Ricciotti and Mario Bellini. The videos explaining the choice are in French, so if you don’t speak French (like self), don’t get frustrated, you can see the accompanying text in English.

Browsing the page, self learns that the roof (which is the most amazing thing) “consists of a free-form lattice of steel tubes and glass” beneath “a gilded metal casing.”

Kudos, Messrs. Ricciotti and Bellini. Major kudos.

Stay tuned.

STORY 2: Visionary Art Museum, Baltimore

The baby of James Rouse, grandfather of actor Ed Norton, the Visionary Art Museum in Baltimore is dedicated to “outsider art” — people from all walks of life who feel an inner urge to create and just do, without the benefit of formal training. There’s art by diagnosed schizophrenics and insomniacs, nurses and postal workers — all kinds of people. It is a great museum.

Stan Wright’s sculpture is made out of telephone wire. It’s called First Dance. He gifted it to the Visionary Art Museum, and it is amazing.

  • “It’s so hard to communicate with words, that’s why I do it with my hands . . . ” –Stan Wright

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Stan Wright, First Dance (Material Used: Telephone Wire)

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Stan Wright, First Dance: A Closer View

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Another Close-Up: All Hail, Visionary Art Museum, Champion of ‘Outsider Art’

Stay tuned, dear blog readers. Stay tuned.

 

Out of This World: The Daily Post Photo Challenge, 28 February 2018

SHARE A PICTURE THAT TAKES US ON A JOURNEY INTO THE UNKNOWN.

— Ben Huberman, The Daily Post

Three views of the Islamic Art Collection at the Louvre, which self visited for the first time on 1 June 2017:

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The canvas roof of the Islamic Art Collection at the Louvre (viewed from the Galerie Donatello) looks like a desert-colored wave. Self thinks it is fabulous.

Stay tuned, dear blog readers. Stay tuned.

 

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