#amreadingpoetry: Liu Xia

Before you go into the grave
Don’t forget to write to me with your ashes
Don’t forget to leave your underworld address

quoted by Liao Yiwu in his introduction to Liu Xia’s collection Empty Chairs, the bilingual edition (Graywolf Press)

Liao Yiwu: Introduction to Liu Xia’s collection EMPTY CHAIRS (Graywolf Press, 2015)

She is no longer the bird she once was, the one that flew high to Tibet, alone; the one that made circles around Lake Namtso, the mirror of heaven; the one that laughed until out of breath. Instead, she became a tree. She can’t move her own nest — Liu Xiaobo can’t move, so she can’t either. She’s turned from a bird into a tree, her feathers becoming white and withered. But as a tree she still sings the songs of birds. — Liao Yiwu, February 2014

from One Bird Then Another

by Liu Xia

One winter night — yes
it was a winter night — the bird
came to us while we were soundly
sleeping. Neither of us saw it.
In the morning we saw — sun on glass —
its small shadow
imprinted, staying
for a long time, refusing
to leave.

Stay tuned, dear blog readers. Stay tuned.

Liao Yiwu About the Poet Liu Xia (Whose Collection EMPTY CHAIRS Self Is Currently Reading)

From “The Story of a Bird,” Liao Yiwu’s introduction to Liu Xia’s collection Empty Chairs (Graywolf Press, 2015):

When we first met, we were very young, and knew nothing but writing poetry. The bird called Liu Xia lived in a large, cage-like room on the twenty-second floor of a building on West Double Elm Tree Lane in Beijing. I traveled from Sichuan to meet her and climbed up the stairs as the elevator was broken. From the moment I knocked on the cage door, Liu Xia never stopped giggling. Her chin became pointy when she smiled, and she laughed like a bird, unrestrained. No wonder she wrote this:

Then, we started to hate winter,
the long slumber.
We’d put a red lamp
outside overnight
so its light would tell our bird
we were waiting.

Stay tuned, dear blog readers. Stay tuned.

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