The latest in a series of issues focusing on “Place.” Crab Orchard Review initiated the series in 2009, at a time when, according to the Editors’ Prologue, Vol. 19 No. 2, it seemed that the magazine might go under.
The “Land of Lincoln: Writing From and About Illinois” issue became the first series on place because Carolyn Alessio, Crab Orchard Review’s Prose Editor, was born “in the Chicago suburbs and lives in the city itself today.” The issue focused on two of Chicago’s literary greats, Carl Sandberg and Gwendolyn Brooks.
Next followed “Old & New: Re-Visions of the American South.”
At that point, everyone was very aware that Crab Orchard Review was approaching its 20th year. So the editors decided to make the review’s 2012, 2013 and 2014 “special issues into a kind of anthology exploring the United States of America and its regions as a subject.”
The series developed into four issues: “Old & New: Re-Visions of the American South,” “the North,” “Prairies, Plains, Mountains, Deserts” and, finally, “The West Coast & Beyond” (California, Oregon, Washington, Alaska, Hawai’i, the Commonwealth countries, territories and areas of U.S. occupation)
Now, in this “final edition in the series,” the editors point out that they have managed to “include at least one story, poem, or essay about, or work by an author born in or living in every one of the fifteen states, the District of Columbia, and Puerto Rico.”
Here’s an excerpt from a poem by one of the writers in the issue, April Christiansen. Her poem is “The Great Seattle Fire, June 6, 1889”:
Shouts, pitched water, the surface glazed,
boiled over. Glue embers tumbled into shavings
littering a turpentine-soaked floor, and men
grabbed their coats, flew to the stairwell as flames
fastened themselves to the building’s walls,
inching towards the liquor warehouse next door.
Glass shattered, the crisp smell of burnt alcohol and paint
filled the sidewalks, and a crowd gathered.
Stay tuned, dear blog readers. Stay tuned.