Cee’s Fun Foto Challenge: CIRCLES, CURVES, AND ARCHES

It’s been a while since self has done Cee’s Fun Foto Challenge. So happy to join the challenge this week: CIRCLES, CURVES, AND ARCHES.

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Dropped by Diane Varner’s El Granada studio, about a month ago. She’s growing succulents!

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Self’s Plum Tree in August, 2019

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Cleaning Out Closet in Son’s Room, Found These Old Toys!

Stay tuned, dear blog readers. Stay tuned.

FILLING THE FRAME: Lens-Artists Photo Challenge # 66

For this week’s Lens-Artists Photo Challenge, FILLING THE FRAME, self chose to focus on a large painting by Irish artist Jacinta O’Reilly.

The painting is called “Masks” and was in her recent exhibit at the Naas Public Library in Ireland.

Jacinta told self that she painted “Masks” on her birthday, Sept. 8.

The impact is emotional. But it is even more rewarding to look up close, where one can examine the painting’s textured surface. To think all of this was painted in one day!

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Jacinta O’Reilly, Naas Public Library, 5 October 2019

Stay tuned, dear blog readers. Stay tuned.

 

Lens Artists Photo Challenge: Framing the Shot

The prompt — Framing the Shot — is Lens-Artists Photo Challenge # 60: “Explore different ways of framing images.”

Viveka has some great framing shots on her blog, my guilty pleasures.

Self’s home in Redwood City was built in 1939. It’s a very wee house, only 1250 square feet, but she loves the arched spaces (between the living and dining room). Arches are a kind of frame, aren’t they? But here the frame is off-center.

The painting above the bookshelf is one she brought from the Philippines: a collage by the late, great Filipino artist Santi Bose. It’s called The White Room. There’s a kind of “frame within the frame” thing going on.

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Redwood City, Sunday, 25 August 2019

The next two pictures are recent finds from son’s closet. The building blocks date from when he was a toddler. The pieces were all neatly arranged in the original wooden box:

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And here’s another find from son’s closet! Clay on cardboard:

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Cryptic Grade School Art Arrangement

Stay tuned, dear blog readers. Stay tuned.

 

 

Three-Of-a-Kind II

Walked around Dublin with visual artista Jacinta O’Reilly. We were going to check out the Chester Beatty but, disappointingly, the museum was closed.

While waiting for Jacinta, self checked out the Surface Matters exhibit at Dublin Castle. Amazing show. Featured stunning pieces by, among others, Alan Meredith, Cecilia Moore, Jack Doherty, Coilin O Dubhghaill, Ciaran McGill, Mike Byrne, Joe Hogan, Grainne Watts.

The medium used in Picture # 1: wood

  • Alan Meredith’s preferred material is the wood of the national tree, Irish oak . . . He turns, hand-distorts, steams, ebonises and fumes his pieces . . . 

Took pictures of several “three-of-a-kind.”

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Alan Meredith’s “Wood”

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Mike Byrne, Limerick Artist

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Joe Hogan’s “Venus Figure Pods”

Stay tuned.

 

 

Thursday Read: The Economist, 16 March 2019

An article on Artemisia Gentileschi is in the Books section.

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Illustration: Gentileschi’s Judith Beheading Holofernes

“Gentileschi’s Self-Portrait as St. Catherine of Alexandria was acquired last year by the National Gallery in London, becoming only the 21st work by a woman in a 2,300-piece collection.”

Artemisia Gentileschi was the “first female artist to be admitted to the Accademia delle Arti del Disegno in Florence.” She was raped by Agostino Tassi, who her father had hired “to teach her perspective.” Her father “petitioned the pope for compensation. His daughter was considered damaged goods.” The case went to trial. Tassi, found guilty, “was exiled from Rome,” but continued to receive commissions from successive popes.

Gentileschi was “married off to a mediocre artist” but “nevertheless set up her own studio . . . She worked in Naples and London. She became the great artist she always wanted to be.”

“A play about Gentileschi’s travails that won awards at the Edinburgh Fringe Festival last year, transferred to London and will soon be staged elsewhere.”

“Roughly 60 paintings by Gentileschi survive . . . ”

Stay tuned, dear blog readers. Stay tuned.

Cee’s Fun Foto Challenge: Rainbow of Colors (At Least 4)

Thanks once again to Cee Neuner for the Fun Foto Challenge!

Last October, self was in the historic English town of Winchester, which was hosting a Poetry Festival. The next Winchester Poetry Festival will be October 2020.

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Winchester, England: City Map, October 2018

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Tel Aviv Artist Reuven Rubin

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A friend made this bag for self.

Stay tuned, dear blog readers. Stay tuned.

Cee Neuner’s Fun Foto Challenge: BLUE AND YELLOW

This week, Cee Neuner’s Fun Foto Challenge is BLUE AND YELLOW.

As it’s a grey and chilly morning where self is, the Blue and Yellow will come from her archives.

Here’s a picture she took in Heathrow, December 2018. Somewhat blue and yellow:

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The Oceania Exhibit at the Royal Academy of Art in London. The yellow is in the gilt frames on the wall.

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Finally, sign on a sidewalk in front of Blackwell’s bookstore in Cambridge, England. Blue and Yellow, upper right-hand corner:

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Stay tuned, dear blog readers. Stay tuned.

Tuesday Reads: A. O. Scott Film Review

Excerpt from A. O. Scott review of Adina Pintilie’s semi-documentary Touch Me Not (The New York Times, Friday, 11 January 2019), which self really wants to see:

Bodies Are a Wonderland (Entry Restricted)

Propelled by intuition, emotion and philosophical inquiry rather than by plot, Pintile’s debut feature is a semidocumentary essay exploring what it means — how it feels, why it matters — to dwell inside a body. You could say that what the film is about lies just beyond the reach of images or words. It’s a necessarily cerebral meditation on the nature of physicality.

The director’s initial verbal reticence contrasts with both the eloquence of some of her characters and subjects and the explicitness of the images she captures. Nakedness and intimacy — the first almost too easy to achieve, the second almost impossibly difficult — are the basic themes of Touch Me Not.

Stay tuned, dear blog readers. Stay tuned.

 

 

Sunday Read: Philippine Religious Imagery in Ivory (Exhibit Catalogue, Intramuros, Manila, 1982)

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Self’s childhood home in Manila was crammed with santoses (religious statues). Dearest Mum collected them.

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L: San Vicente Ferrer R: San Pedro Martir

The santos carvers were unknown. It was an industry, like making furniture. The head and hands of the figures were usually ivory.

The caption for San Pedro Martir reads, in entirety:

  • Ivory head and hands on batikuling body. A bolo (machete), now missing, the instrument of his martyrdom, was originally embedded in his cranium. He is usually depicted holding a palm of martyrdom, also missing. 19th century.

Batikuling is a Philippine tree, presently listed as endangered.

Stay tuned.

 

Cee’s Fun Foto Challenge: Pastel Colors

Love Cee Neuner’s Fun Foto Challenge!

This week’s challenge is PASTEL COLORS.

It turned out to be surprisingly hard to find photos with predominantly pastel colors!

These flesh-coloured gourd plants were at the San Francisco Conservatory of Flowers:

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The Magritte exhibit at SFMOMA on self’s birthday in July:

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A bit of nostalgia:

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Map of the Philippines, Son’s Room in Redwood City, California

Stay tuned, dear blog readers. Stay tuned.

 

 

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