The Story of Trees

First Tree: Great Beech, Fagus Sylvatica, Non native, Seeded around 1860

Writer: Olive Broderick

  • There is no going back. She is so deeply rooted here it’s hard to tell her from Oak and Ash in this delayed-spring grove.

The Trees of Kilbroney Park is a publication of Light 2000. A copy was mailed to self in the Tyrone Guthrie Centre at Annaghmakerrig by her friend, poet Csilla Toldy, who edited the book.

Stay tuned.

 

From Marilyn Butler’s Introduction to EMMA

Jane Austen was paid 300 GBP for Emma by the publisher, John Murray.  The title-page states only that it is ‘By the Author of Pride and Prejudice, etc. etc.’ An additional preliminary page gives the dedication to the Prince Regent ‘by his Royal Highness’s dutiful and obedient servant, the Author.’ The date is given as 1816 . . .  Two thousand copies were printed and 1,250 sold in the first year . . .

Crazy Writers Life: Share Your Rejection

When self moved back to her home in Redwood City, a few months ago, she found a treasure trove of files, including one on ‘Nice Rejections.’

Here’s one from The Antioch Review. No idea who ‘RSF’ is, but it is so rare to get back a personal note that self saved it.

The piece was “Devotions.” It was eventually published by Used Furniture Review.

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Stay tuned, dear blog readers. Stay tuned.

Cost of Paper, vol. 5 (published by 1888 Center, Orange, CA)

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Sadly, both the AWP2019 panel proposals self was included in were rejected. One was a mixed-genre panel, the brainchild of Philadelphia poet Anne-Adele Wight. The other was a Quarterly West panel on experimental fiction.

Nevertheless, self still has much to celebrate. Such as, her story This Is End being in The Cost of Paper, vol. 5 (It’s the last story in the anthology). The anthology’s editor was Julianne Berokoff.

Self just had another story picked up for the Winter 2018 issue of Prairie Schooner, due out this December. And the two stories couldn’t be more different: the one in The Cost of Paper is space fantasy, the Prairie Schooner story is straight-up realism.

This Is End is the third story in a cycle about a boy named Dragon, a missing girl named Her, a teacher named Fire Lizard, a bully named Big, the bully’s friend Drinker, and a new student named Knot.

Dragon saw Big knock Her out cold (in the middle of a class, why). Her never came back to class, but sometimes Dragon thinks he sees her waving to him from a window of an abandoned space station called the Kobayashi Maru. Ever since then, he’s been itching for revenge.

Big doesn’t show up to class one day, Knot asks Dragon:

“Is it true? Tumor he had?”

We spot-check each other for tumors. We’re so afraid of it.

“Ecchymosis?” Knot persists.

Here’s a link to 1888 Center’s Bookstore.

Stay tuned.

 

 

 

 

The Pacific Rim Review of Books: Self Wants to Eat/Read Everything

Issue Twenty-Three, Vol. 12 No. 1

 

 

New for the Reading List: The Economist Books, 12 May 2018

  1. The latest from Rachel Cusk: Kudos (Farrar, Straus and Giroux). Karl Ove Knausgaard’s My Struggle series is mentioned in the review: self has been wanting to read Knausgaard. Hopefully, someday.
  2. Eye of the Shoal: A Fishwatcher’s Guide to Life, the Ocean and Everything, by Helen Scales (Bloomsbury Sigma). Scales’s earlier book, about seashells, is Spirals in Time.
  3. Barracoon: The Story of the Last Black Cargo, by Zora Neale Hurston: written in 1927, finally out in print!!! (Amistad)

Poetry Monday: U Sam Oeur Again

from Exodus

— translated from the Cambodian by Ken McCullough

Once the Blackcrows had usurped the power
they started to evacuate people from Phnom Penh
they threw patients through hospital windows
(women in labor and the lame), drove tanks
over them then bulldozed them under.

The poem Exodus is part of the collection Sacred Vows, a bilingual edition of U Sam Ouer’s poetry, published by Coffee House Press.

This is self’s companion reading to Tim O’Brien’s The Things They Carried, O’Brien’s stories about his experiences as a grunt during the Vietnam War.

O’Brien and U Sam Oeur, in Southeast Asia at roughly the same time, each oblivious of the other. But afterward, what great literature they both produced.

Stay tuned, dear blog readers. Stay tuned.

Poetry Sunday: U Sam Oeur

from The Fall of Culture

— translated from the Cambodian by Ken McCullough

I hid the precious wealth,
packed the suitcases with milled rice,
packed old clothes, a small scrap-metal oven,
pots, pans, plates, spoons, an ax, a hoe,
some preserved fish in small plastic containers —
loaded it all in a cart and towed it eastward
under the full moon, May ’75.

Born in the Svey Rieng province of Cambodia, U Sam Oeur received his MFA from the Iowa Writer’s Workshop in 1968. Upon returning to Cambodia, he was elected to the National Assembly in 1972 and in 1973 was appointed Secretary General of the Khmer League for Freedom. He remained there after Cambodia was “liberated” by the Vietnamese.

The Fall of Culture is part of a bilingual Khmer and English edition of U Sam Oeur’s poetry, Sacred Vows (Coffee House Press)

Stay tuned, dear blog readers. Stay tuned.

Philippine Dept. of Education Call for Supplementary Materials

Self got an e-mail yesterday from alma mater Ateneo de Manila University. They’d been trying to reach her because the Philippine Department of Education wants to include her first collection of short stories, Ginseng and Other Tales From Manila, in schools. It will be part of the supplementary learning materials (SLM) for Grades 7 to 12.

You know what that means, self’s Philippine publisher said. That means, they will order copies. Lots of copies. And if the publisher runs out of copies, they’ll have to print some more.

That book, self’s first, was one of five finalists for the Philippines’ National Book Award. She forgets who won that year. She told her Dad about it, and of all the things he could have said, he said this: “Do you know how famous your Mom used to be? She was so famous, she performed in Carnegie Hall!” Self had no answer.

Stay tuned, dear blog readers. Stay tuned.

In Honor of Independent Bookstore Day 28 April 2018: Poet Anne-Adele Wight Lists Her Favorites

What a universe of riches is contained in a writer’s list of recommended books. This is the second article self has posted in honor of Independent Bookstore Day 2018. Everyone who wants to do something special for the day, take a look at Anne-Adele’s books below, then go to your nearest independent bookstore and inquire if they have a copy in-store. If they don’t, ask them to order. It only takes a few days!

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T-Shirt Features a Quote from Shakespeare: “These violent delights have violent ends.”

Anne-Adele Wight is the author of the poetry collections The Age of Greenhouses, Sidestep Catapult and Opera House Arterial, which she describes as “a surreal trickster mythology.” An interview of her can be found on her publisher’s website: BlazeVOX. Her background includes literature, archaeology, and technical communication. She performs widely and has sponsored many events in her home city of Philadelphia.

Here is how she explains the genesis of Opera House Arterial:

In 1983 a friend showed me a postcard she’d received from Quito, Ecuador, the home of a well-known nineteenth-century opera house, El Teatro Nacional. The postcard showed the opera house as something etheral, not quite connected to the ground, because a row of buildings hid the lowest part. Behind it the Andes rose high into the air, looking unearthly. I felt something strike into my brain and know I had to write a poem, but where to begin? I put the opera house aside for many years; it finally surfaced when it was ready. I realized I had not one poem, but many, and started writing. Before long I had a book, Opera House Arterial, and a mythical character, my trickster opera house.

Without further ado, Anne-Adele’s list of recommended books:

 POETRY
  • Sandra Beasley, Count the Waves
  • Sarah Blake, Let’s Not Live on Earth
  • Travis Cebula and Sarah Suzor, After the Fox
  • CAConrad, While Standing in Line for Death
  • Lucas de Lima, Wetland
  • Ryan Eckes, Valu-Plus
  • Lisa A. Flowers, diatomhero: religious poems
  • Geoffrey Gatza, A Dog Lost in the Brick City of Outlawed Trees
  • Sueyeun Juliette Lee, Solar Maximum
  • Lynn Levin,  Miss Plastique
  • Jane Lewty, In One Form to Find Another
  • Jenn McCreary, Ab Ovo
  • MaryAnn L. Miller, Cures for Hysteria
  • Debrah Morkun, Projection Machine
  • Eileen Myles, I Must Be Living Twice
  • Gabriel Ojeda-Sagué, Jazzercise is a Language
  • Raquel Salas Rivera, lo tercario / tertiary
  • Amy Small-McKinney, Walking toward Cranes
  • Nicole Steinberg, Glass Actress
  • Brian Teare, The Empty Form Goes All the Way to Heaven
  • Divya Victor, Things to Do with Your Mouth
  • Anne Waldman, Manatee / Humanity

FICTION

  • Isabel Allende, Daughter of Fortune
  • Ann Arensberg, Incubus
  • Margaret Atwood, Moral Disorder
  • Margaret Atwood, Stone Mattress
  • Robertson Davies, The Deptford Trilogy
  • Margaret Drabble, The Red Queen
  • Ursula K. LeGuin, The Left Hand of Darkness
  • Doris Lessing, The Grandmothers
  • Eileen Myles, Chelsea Girls
  • Jean Rhys, Wide Sargasso Sea
  • Jean Rhys, Good Morning, Midnight
  • Isaac Bashevis Singer, The Manor
  • Jacqueline Woodson, Another Brooklyn
  • Virginia Woolf, Mrs. Dalloway
  • Markus Zusak, The Book Thief

NONFICTION & GENRE-DEFYING

  • Atul Gawande, Mortal
  • David Harrison, The Last Speakers: A Quest to Save the World’s Most Endangered Languages
  • Walter Isaacson, Steve Jobs
  • Gina Kolata, Flu
  • Jon Krakauer, Under the Banner of Heaven
  • Kelcey Parker Ervick, The Bitter Life of Božena Němcova
  • Rebecca Skloot, The Immortal Life of Henrietta Lacks
  • Virginia Woolf, A Room of One’s Own

Now, get on over to your local independent bookstore!

Stay tuned.

 

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