A Good Match: The Daily Post Photo Challenge, 22 February 2017

  • . . .  share a photo of things that complement each other.

— Ben Huberman, The Daily Post

Self has wanted to blog this picture for the longest time: at Dulles International, the day she left Washington DC, there was a one-man concert in the departures terminal. OMG, what a send-off this man’s music was! The sign next to the musician announced that the free concert was in honor of Black History Month. WOW. Self has no words. Thrilling.

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Merlon Devine, playing at Dulles International, in honor of Black History Month: February 2017

And here’s a sign self saw at the American Visionary Art Museum in Baltimore:

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Definitely, Food is Love.

Finally, a poster advertising the annual Noir Film Festival at the Castro Theatre. San Francisco and Noir go together like white on rice:

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The 15th Annual Film Noir Festival (Noir City), held at the Castro Theatre

Stay tuned, dear blog readers. Stay tuned.

The Story of the Twins: AMERICAN GODS

It’s a very long fable that gets dropped in on p. 252, and it is one of self’s favorite sections, so far.

The events unfold in 1778 (How does self know? Because Gaiman puts the date right before the beginning of the fable, lol). The twins are born, captured by slave traders, and separated at auction. This part is so horrific, but Gaiman’s voice is at its most mesmerizing:

Their uncle was a fat and lazy man. If he had owned more cattle, perhaps he would have given up one of his cattle instead of the children, but he did not. He sold the twins. Enough of him: he shall not enter further into this narrative. We follow the twins.

In addition, today, self watched Fences. She hasn’t seen the original play, but the first third or so of the movie is very play-iike. The action is mostly limited to the confines of a house, and there’s a whole lot of braggadocio from Denzel’s character, Troy. About a third of the way in, however, the story takes a very interesting turn, and self was never less than absorbed.

She does feel, however, that the movie should have closed with the image of Troy swinging futilely away at a baseball attached by a frayed rope to a tree branch. Troy’s face as the camera zooms in — riveting. Instead, we’re given a kind of epilogue. It’s nice to see what happens to Troy’s son, Cory, though.

Stay tuned, dear blog readers. Stay tuned.

Sentence of the Day: San Francisco Chronicle, 26 January 2017

In a review of Silence! The Musical by Lily Janiak:

Lambs don’t actually appear in the 1991 thriller Silence of the Lambs; they’re a metaphor for the lifelong inner suffering of Jodie Foster’s character, FBI agent Clarice Starling.

Stay tuned, dear blog readers. Stay tuned.

Existential Crisis of the Day: To See or Not to See Fifty Shades

Fifty Shades Darker or John Wick 2?

Self is a big fan of Dakota Johnson.

Yup, that’s right. DAKOTA JOHNSON.

Plus, the Jamie. Come on. Ever seen this guy’s back blown up on the side of a building?

Well, self has. London, 2015. Somewhere in the South Bank. That back was pretty fine.

She is also a big fan of Keanu Reeves. Yesterday, an NPR reviewer called John Wick 2 the apogee of something: “designer violence” or “designer mayhem” or, anyway, something designer. Niiice!

Stay tuned, dear blog readers. Stay tuned.

Anticipation: 2017

  • It is the Year of the Rooster. Kung Hei Fat Choy!
  • There will be a Trainspotting 2! Also a Baywatch movie! Also a Barbie movie! Also another Star Wars movie!
  • EU will abolish roaming charges for cell phones!
  • The world will celebrate the 200th anniversary of the death of Jane Austen, today’s most bestselling author!
  • Museum of the Bible becomes DC’s newest museum!

Stay tuned, dear blog readers. Stay tuned.

“Before the Devil Knows You’re Dead” (2007): Sidney Lumet’s Last Movie

Philip Seymour Hoffman plays Andy, a plump, middle-aged real-estate wheeler/dealer whose world comes crashing down on him in a very big way, after he has the genius idea of knocking off his parents’ mom-and-pop jewelry store in a Westchester mall (It’s like Fargo, only twice as painful):

Andy to his brother Hank (Ethan Hawke):

  • It’s too late to think. It’s too late.

Also, Seymour Hoffman’s character is a cocaine addict. Watching him do a line is gut-wrenching.

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Noir City: San Francisco’s 15th Annual Film Noir Festival, at the Castro

Stay tuned.

#amreading: Sally Potter’s Screenplay for YES

Last year, self saw Sally Potter’s Yes at the London Review Bookshop and the filmmaker herself was present to do Q & A afterwards. Self asked Potter if the screenplay had been published, and when Potter said yes, it was available in the U.S., self almost broke out into a Happy Happy Joy Joy dance.

Can she just tell dear blog readers how she adores this screenplay, the fact that it is written in iambic pentameter from first to last is glorious.


Scene: An Irish woman (played by a luminous Joan Allen) who’s moved to New York returns to Belfast to visit her dying aunt in a hospital. The following passage is the aunt’s interior monologue:

AUNT

No one explained to me when I was young
Why time only goes forward. Hold your tongue
Was what they said when I asked them about
The universe and such and why we can’t
Do all that much about it when we make
A mess of things. If only a mistake
Could be corrected. Wind life back and start
Again. The second time we’d know the art
Of living. But we only get one go;
No dress rehearsals, this one is the show,
And we don’t know it. I don’t see the rhyme
Or reason in this so-called grand design . . .

(A priest enters the ward quietly and rapidly gives the last rites, making the sign of the cross and softly muttering a prayer)

But then I don’t believe. There is no sign
Of him up there as far as I’m concerned.
See . . . if there’s one thing that I’ve truly learned
It’s this: it’s down to me.

Stay tuned, dear blog readers. Stay tuned.

Matt Zoller Seitz Reviews “Love & Friendship” (Another of Self’s Favorite Movies of 2016)

Really nice review. Read it in http://www.rogerebert.com.

Kudos to Director Whit Stillman, lead Kate Beckinsale, and Xavier Samuel, who plays the man Beckinsale’s character sets her sights on.

  • “Love & Friendship feels like it was inevitable. The director Whit Stillman adapting Jane Austen is one of those ideas that sounds like it’s made up because it’s so perfect, like Wes Anderson announcing that he’s going to make an animated film about foxes based on a book by Roald Dahl.”
  • “Stillman’s films are comedies of manners . . .  the more brazen or ambitious characters run roughshod over people who have, well, manners.”
  • The main character, Susan, “is distinguished by her audacity, not just in her wants and desires but in the way she talks to other people, turning subtext into text in a way most people would not do unless the person they were talking about was in another room, or another state. But they’re standing right there! And they can’t get their minds around how staggeringly rude and entitled Susan is — most of all Reginald, who’s played with great precision by Samuel as a decent man who is so stunned by Susan’s nerve that he can barely bring himself to reprimand her: he’s too busy marveling at her existence.”

In addition, self is looking forward to seeing the following films, hopefully in the next few weeks:

  • Jim Jarmusch’s Paterson
  • Paul Verhoeven’s Elle
  • Denzel Washington’s adaptation of August Wilson’s Fences
  • Kenneth Lonergan’s Manchester by the Sea
  • Disney’s Moana

Stay tuned, dear blog readers. Stay tuned.

In Which Sunny and Self Discuss/De-Construct “Passengers”

Of course, because this is the future and we write fan fiction, watching “Passengers” leads to some interesting gender flipping in our de-construction of said movie.

The idea of having Jennifer Lawrence doing the choosing was entirely Sunny’s. Self thought: Go for it!

Exhibit A

Stay tuned.

Quote of the Day: “Sleeping Beauty in Space,” a Review of PASSENGERS by Sunny Lanning

The movie is beautiful, brilliantly shot. The clean, curving lines of the halls and rooms, the luxurious amenities, the sense of echoing, empty space both within and without the ship, which employs a novel design style. The lingering shot on the long lines of Chris Pratt’s naked back and buttocks fits right into the elegant overall design.

— Sunny Lanning, in her blog Sincerely, Sunny

Self has been having an off-blog exchange with Sunny Lanning about things we like, and one of the things we like is J-Law.

Yup, that’s right. J-Law.

Self knows it’s sort of fashionable to dump on her right now. Indulge in fond memories of “Winter’s Bone” (which was truly great).

Self knows, “Passengers” did not get good reviews. Self reads Everlark tumblrs on a daily basis and people are wondering what happened to J-Law, blah blah blah.

Self has a feeling J-Law will endure.

In the meantime, enjoy the parallels Sunny Lanning draws between “Passengers” and Disney’s “Sleeping Beauty.”

Self’s own personal take on the disappointment with the movie (Note: Self has not seen “Passengers.” But she kinda gets the process Chris Pratt is or has embarked on. It’s called Hollywoodization.), the blown hopes: it’s Pratt. In this role, he’s reaching for that next level. Self doesn’t argue that a J-Law would find him attractive — hot, even. But can we just not make the effort so predictable right now? It just seems so determined and so cynical.

Sunny found that originally “Passengers” was a Keanu Reeves project. Keanu/ J-Law would have been an interesting pairing!

Stay tuned, dear blog readers. Stay tuned.

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