TBB Quote of the Day

After the hit man gets mugged in a dark alley in Denver (Denver! He kills the muggers of course. Thankfully, there are just two), existential despair:

He caught sight of himself in the other mirror, sitting naked on the bed. A small, whitish animal with a few tufts of hair. And hurt, too. As he watched, the injured face in the mirror contracted a little, seemed to clench and compress itself into a mask of despair. A sigh like a strangled squeak escaped from its throat. He said aloud to the face, “You sorry little bastard.”

The Butcher’s Boy, p. 39

Self does not know how Thomas Perry does it, but she feels empathy for this hit man — his alone-ness, his (of all things) vulnerability. The fact that he doesn’t have a name makes him more sympathetic, not less.

Stay tuned.

Flower of the Day (FOTD): Matilija Poppy

The poppy on self’s front porch has started blooming again!

Took a picture for Cee Neuner’s FOTD Challenge.

Elizabeth Waring in The Butcher’s Boy

When self was reading Michael Connelly’s great introduction to this novel, she was very excited to read that the plot actually has two main characters: the professional hit man, and a woman, Elizabeth Waring, the DOJ analyst who’s on his trail.

She is so happy that Elizabeth is introduced almost right away. It’s a very mundane scene: as a relatively new addition to the department, she has to hone her chops by reading over piles of reports to sniff out the details that seem “extra” suspicious. She consults with a colleague, who looks over her “possibles” and then picks out one — a very ordinary case — and says, why don’t you look into this one?

There is no reason on God’s earth why that agent should pick out that one case, but it’s pretty exciting when he tells Elizabeth, “Just a hunch.”

Stay tuned, dear blog readers. Stay tuned.

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