Yes, I am Schizophrenic. I Also Make Art.

Hans Prinzhorn begins his amazing collection, gathered from inmates in mental asylums all over Germany, in the decade immediately following World War I:

Around three-quarters of Prinzhorn’s artist-patients were diagnosed with schizophrenia. The rest shared a range of conditions from “manic-depressive” to “paralytic,” “imbecile,” and “epileptic.” Though more than half of the patients living in German asylums were female, fewer than 20 percent of the works Prinzhorn received were by women, a reflection both of their status in society and of a narrow definition of art, which excluded many traditional female handicrafts. An exception to this trend was Agnes Richter’s jacket. Richter, a Dresden seamstress, had been committed in 1893 after being arrested for disturbing the piece. In the asylum at Hubertusberg, she began work on an institutional garment made of gray linen, re-stitching the arms on backward, and embroidering it all over with expressions of her plight. “I am not big,” read one; others spelled out “my jacket,” “I am,” “I have,” “I miss today,” and “you do not have to. Her asylum laundry number, 583, appeared again and again. The writing was mainly stitched to the inside, where it would have lain next to her body — an attempt to reinforce her sense of self, perhaps, in a place where that was easily lost. The jacket was Richter’s only item in the collection.

— p. 23, The Gallery of Miracles and Madness, by Charlie English

If you want to know exactly what this jacket looked like, author @CharlieEnglish1 (the author himself) tweeted a picture of it on Sept. 10.

Lens-Artists Photo Challenge #165: GOING WIDE

LOOOOVE this prompt. Simply love.

Thank you, P.A. Moed.

Yesterday, self was at Cal Shakes’ only production for 2021: The Winter’s Tale. Last year they were forced to cancel their entire season. Wanted to weep.

But whoa, what a way to make a comeback: The Winter’s Tale is ace.

Picnic Grove Next to Bruns Amphitheatre in Orinda

Cal Shakes’s Resident Dramaturg Philippa Kelly leading the post-play discussion.

The Thrill of Anticipation! Audience files into Bruns Amphitheatre to see Cal Shakes’s first production in two years!

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