Poetry Thursday: Luisa A. Igloria

from Luisa A. Igloria’s collection Maps for Migrants and Ghosts (Crab Orchard Review & Southern Illinois University Press, 2020)

Mother: Three Pictures (An Excerpt)

She is beautiful in that photograph where they are dancing in a
roomful of other couples. She has a beauty mole penciled on her
cheek, slightly to the right of her lip. Her eyebrows are two perfect
arches, her hair a dark beehive. I think there are dots on her dress.
Where is this photograph? I would very much like to have it.

The above, Dearest Mum, when she was a young Filipina pianist in New York City, 1950s.

Stay safe, dear blog readers. Stay safe.

She is beautiful in that photograph where they are dancing in a

Link of the Week: FIVE SOUTH

The best hygiene for beginning writers or intermediate writers is to write a hell of a lot of short stories.Ray Bradbury

The Way to Read Melancholy

High as the Waters Rise is so overwhelmingly sad.

It’s the story of a worker on an oil rig in the middle of the Atlantic whose partner (partner in work, but also his lover) gets swept out to sea. There is no grieving. He is sent off the rig at once, as if he has something infectious. So he retraces the steps he and his lover made, the hotels they stayed in, between gigs.

Waaah! Can anything be so unbearably lonely?

As he’s being ferried to shore, the man looks back at the rig, growing smaller in the distance.

He goes to Tangier, and

There was no one. The air hung in the whitewashed alleys, the room lay in twilight behind closed shutters, outside he heard people on scooters, smelled the cloud of exhaust, a bluish smoke, he didn’t move.

High as the Waters Rise, p. 30

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