SWANN IN LOVE: Knowing . . .

Knowing a thing does not always allow us to prevent it, but at least the things we know, we hold, if not in our hands, at any rate in our minds, where we can arrange them as we like, which gives us the illusion of a sort of power over them.

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The heartbreak of Odette! Who in the two years that Swann was in love with her, tried as hard as she could to protect her heart.

The nobility of her doomed effort.

Stay tuned.

 

 

Poetry Tuesday: Dorianne Laux in PRAIRIE SCHOONER (Vol. 92, Issue No. 4)

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An Excerpt from Snow

by Dorianne Laux

It wasn’t snowing, and then it was,
like death, like my sister’s texts
that just stopped: I’m in the hospital
then a phone call: We did everything
we could: endocarditis, valve leakage,
her heart on heroin. She wasn’t addicted

and then she was, on and off, for years
her and her daughter, my niece, living
on the streets, every few weeks, a phone call:

Amazing issue.

Kudos, Prairie Schooner.

 

 

Tuesday Reads: A. O. Scott Film Review

Excerpt from A. O. Scott review of Adina Pintilie’s semi-documentary Touch Me Not (The New York Times, Friday, 11 January 2019), which self really wants to see:

Bodies Are a Wonderland (Entry Restricted)

Propelled by intuition, emotion and philosophical inquiry rather than by plot, Pintile’s debut feature is a semidocumentary essay exploring what it means — how it feels, why it matters — to dwell inside a body. You could say that what the film is about lies just beyond the reach of images or words. It’s a necessarily cerebral meditation on the nature of physicality.

The director’s initial verbal reticence contrasts with both the eloquence of some of her characters and subjects and the explicitness of the images she captures. Nakedness and intimacy — the first almost too easy to achieve, the second almost impossibly difficult — are the basic themes of Touch Me Not.

Stay tuned, dear blog readers. Stay tuned.

 

 

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