Rare Sighting of Husband: THE DOOR

The husband in The Door is an ineffably mysterious presence: He is there but rarely speaks, somewhat like the father in Tove Jansson’s elegiac, beautiful novel set on a Scandinavian island, The Summer Book (Self discovered Jansson just this summer).

In The Door, while the narrator becomes increasingly emotional, and Emerence becomes increasingly unpredictable, the husband provides a tantalizing comfort. He is in bed with the narrator when Emerence bursts in one morning, singing a song. Once, he runs angrily out of the house, upset that Emerence has put a garden gnome in front of his English classics in the library.

He is ill in the beginning. The housekeeper tells the narrator he is going to die, which strikes self as cruel, but he seems to get stronger as the novel progresses.

He and the narrator visit a Greek island called Glifada. It’s Good Friday; they stop at a church. There’s a dead Christ on a bier by the entrance. The villagers invite them to “join them in mourning the Saviour.” They put a bell rope into the husband’s hands.

The narrator watches:

  • “I can still see him ringing the bell, his thick blonde hair, already shot with grey, tugged by the sea breeze.”

Wow.

This is almost the end of the book; will this be the last, the only time, we see him? Why is self so relieved that he does not die? (Although, she still has about 20 pages to go)

Stay tuned, dear blog readers. Stay tuned.

 

 

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