Cal Shakes’ THE WAR OF THE ROSES: FIERCE

Oh, kudos, Cal Shakes. Kudos for everything. For the chart showing the House of Lancaster and the House of York, for the jumbotron messages above the stage (BOO! and RICHARD IS DEAD! were so on point!)

It was a lovely way to spend a late summer afternoon.

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In choosing the seats, self noticed most of the tickets taken were on the LEFT side of the amphitheatre (Section E). She figured that must be because of the sun. When it strikes directly, and you’re sitting there for four hours (yes, the play was four hours: it passes quickly), it is not fun. So she snagged the last three tickets on the left side, which were in the next to last row.

She’s never before sat so far from the stage, but it worked out perfect because this was a large-cast production, with a lot of comings and goings, and from higher up you can really appreciate how every inch of that stage is put to good use.

Self’s only regret was that she did not spring for a button saying, THOU TOAD! ‘Twas only $3.

Both she and son forked up cash for the donation bucket. (This year’s fundraising goal is $150,000)

Stay tuned, dear blog readers. Stay tuned.

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The set for The War of The Roses was amazing, as were the costumes. Kudos to Scenic Designer Nina Ball and Costume Designer Anna R. Oliver.

 

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