“Hostiles”: Self Loved It

Because Bale. Because Pike. Boy do they ever sell that connection — so many notes of tenderness and respect, and hardly a word needs to be spoken between them. One never questions these two fine performers’ responses, never. And that’s something in a movie like this, that’s as much about the landscape as it is about the people in it.

Which is not to say “Hostiles” is a perfect movie; it isn’t.

But it’s brave.

Particularly in its commitment to maintaining the laconic rhythms of the Western landscape.

Self admits to being a tad confused by the quote used in the opening. Something about the American character being stoic, lonely, etc. Which seemed rather ponderous — even, overblown — a quote for a Western, of all things.

But then this Western isn’t really a Western. It’s more like a horror movie. With its bleakness, it reminded self somewhat of Ravenous (which apparently no one saw other than self and maybe two dozen people in the entire United States) or of Shakespeare’s Titus Andronicus.

Rosamund Pike’s character is absolutely luminous. And she goes through so much. It’s no wonder that at the end, Bale . . .

Self really loves the New Mexico setting.

And also the scenes between Bale and his commanding officer (played by Stephen Lang, who is perfectly cast — as are most of the other characters. Lang usually plays hard-bitten bad guys but, here, he is hard-bitten in a way that self can connect to. In other words, he’s allowed to appear human. He seems very exasperated by Bale’s character. Props to the screenplay)

And also the movie has Adam Beach (who is such a great actor) and Wes Studi!

Rosamund Pike breaks your heart. At the end, she deserved the best. Self wanted it for her SO MUCH.

Stay tuned, dear blog readers. Stay tuned.

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