The Observer on Kenneth MacMillan’s Last Work, The Judas Tree

In June, self was soooo lucky: she got to watch the ballet Mayerling at the Royal Opera House, and loved it. She wasn’t feeling well (just like now; something about London, trying to do too much) and nearly went home after the first intermission. Then, while standing at the refreshments bar, she met an American woman who lives in New York and who gets annual subscriptions to the New York City Ballet. This woman flies to London to watch ballet, that is how big a deal it was for her. Upon finding out that self was planning to leave early, the woman said: “You can’t leave early. The pas de deux (or was it the gran jetés) in Act III are spectacular.” So self stayed. And she did get to watch that spectacular Act III.

This is a very, very long introduction to a review of Kenneth MacMillan’s final work, The Judas Tree, which is about gang rape. Gulp?

Anyhoo, the protagonists are a gang of construction workers at the Canary Wharf Tower. In the foreground, an East London construction site.

Several men enter. We understand them to be builders, although their muscle-mag appearance and narcissistic attitudes make them an unlikely labour force.

Stay tuned, dear blog readers. Stay tuned.

 

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