#amreading: Sally Potter’s Screenplay for YES

Last year, self saw Sally Potter’s Yes at the London Review Bookshop and the filmmaker herself was present to do Q & A afterwards. Self asked Potter if the screenplay had been published, and when Potter said yes, it was available in the U.S., self almost broke out into a Happy Happy Joy Joy dance.

Can she just tell dear blog readers how she adores this screenplay, the fact that it is written in iambic pentameter from first to last is glorious.


Scene: An Irish woman (played by a luminous Joan Allen) who’s moved to New York returns to Belfast to visit her dying aunt in a hospital. The following passage is the aunt’s interior monologue:

AUNT

No one explained to me when I was young
Why time only goes forward. Hold your tongue
Was what they said when I asked them about
The universe and such and why we can’t
Do all that much about it when we make
A mess of things. If only a mistake
Could be corrected. Wind life back and start
Again. The second time we’d know the art
Of living. But we only get one go;
No dress rehearsals, this one is the show,
And we don’t know it. I don’t see the rhyme
Or reason in this so-called grand design . . .

(A priest enters the ward quietly and rapidly gives the last rites, making the sign of the cross and softly muttering a prayer)

But then I don’t believe. There is no sign
Of him up there as far as I’m concerned.
See . . . if there’s one thing that I’ve truly learned
It’s this: it’s down to me.

Stay tuned, dear blog readers. Stay tuned.

#amwriting: Invasion, Seamount, Antarctica

How self does love writing a good horror story. She started this one a few days ago:

She and the captain were the first to spot the Longnecks. A pod of them. Bulging foreheads cleaving the ink-dark sea. The creatures moved quickly, beaching on the ice shelf and shedding their fur with great, tearing sounds. At first she thought it was merely the ice cracking, separating from the mother glacier.

(When everyone else writes about global warming, self writes about global freezing. Go figure)

Stay tuned, dear blog readers. Stay tuned.

Quote of the Day: Anne Hidalgo

In the Talk of the Town of the 7 November 2016 issue of The New Yorker:

Anne Hidalgo, mayor of Paris:

“Paris will not stand by and do nothing while the Mediterranean becomes a graveyard.”

Matt Zoller Seitz Reviews “Love & Friendship” (Another of Self’s Favorite Movies of 2016)

Really nice review. Read it in http://www.rogerebert.com.

Kudos to Director Whit Stillman, lead Kate Beckinsale, and Xavier Samuel, who plays the man Beckinsale’s character sets her sights on.

  • “Love & Friendship feels like it was inevitable. The director Whit Stillman adapting Jane Austen is one of those ideas that sounds like it’s made up because it’s so perfect, like Wes Anderson announcing that he’s going to make an animated film about foxes based on a book by Roald Dahl.”
  • “Stillman’s films are comedies of manners . . .  the more brazen or ambitious characters run roughshod over people who have, well, manners.”
  • The main character, Susan, “is distinguished by her audacity, not just in her wants and desires but in the way she talks to other people, turning subtext into text in a way most people would not do unless the person they were talking about was in another room, or another state. But they’re standing right there! And they can’t get their minds around how staggeringly rude and entitled Susan is — most of all Reginald, who’s played with great precision by Samuel as a decent man who is so stunned by Susan’s nerve that he can barely bring himself to reprimand her: he’s too busy marveling at her existence.”

In addition, self is looking forward to seeing the following films, hopefully in the next few weeks:

  • Jim Jarmusch’s Paterson
  • Paul Verhoeven’s Elle
  • Denzel Washington’s adaptation of August Wilson’s Fences
  • Kenneth Lonergan’s Manchester by the Sea
  • Disney’s Moana

Stay tuned, dear blog readers. Stay tuned.

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