Most Amazing

The London Review Bookshop has a film club. Once a month, they show a film, and bring in the director for Q & A. When self was there, earlier this year, she caught a showing of Sally Potter’s Yes.

The entire film is told in iambic pentameter. Self gets goosebumps just remembering. She asked Sally Potter at the reception: “Is the screenplay available?” When Sally said yes, self wanted to do cartwheels. As soon as she could, she ordered a copy of the screenplay.

The heart of the movie is a woman played by a luminous Joan Allen. She visits a dying aunt in Belfast. The SHE in the excerpt below is Joan Allen’s character. The setting is a hospital:

Aunt:

You’re late again. Don’t worry. Never mind.
I know you’re busy. It’s the kind
Of life you lead. But then you chose it, so
I guess you want it. Always to and fro,
You never stop.

SHE tiptoes into the ward and stands looking down at her aunt who lies immobile, her eyes closed, in the bed.

Aunt (cont’d):

Unlike myself. I’m here
To stay. For just how long, who knows. I fear
It could be ages. It creeps up on you,
This funny business. First a creak or two,
Your knees, perhaps, and — bingo! — then you’re old
And in a bed.

SHE kisses her aunt’s forehead gently, pulls up a chair and sits down by the bed.

She (whispering):

Oh, auntie . . .

When you’re watching the film, you’re aware of the rhyme, but instead of distracting you, it helps you concentrate. Amaaaaazing.

Stay tuned, dear blog readers. Stay tuned.

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Iain Kelly

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