Self recognizes that she’s moving soooo slowly through The Way to the Spring: Life and Death in Palestine. But she is absolutely fascinated by its intimate glimpses of men and women, settlers and Palestinians.
In the chapter on the village of Umm al-Kheir, we meet a man named Eid Suleiman al-Hathalin. Self swears: every time she quotes from Ehrenreich’s book, she has to double-check the spelling of everything at least three times. But she really really wants to get Eid’s name right. He is a true original: a vegan in Palestine (“I love animals, but it’s not that. Meat is very heavy.”), and also a found-art sculptor.
His sculptures, gleaming and immaculate, filled five metal shelves beside the door. There were two bulldozers — one with wheels and one with treads — plus a dump truck and an excavator, all of them Caterpillars and painted a deep, glossy yellow. There was the old Black Hawk I had seen before, plus a white Volvo 420 big rig, and a green John Deere tractor hauling a trailer. Each piece was about two feet long and built to scale with an astonishing degree of perfectionism.
Eid proudly shows Ehrenreich the excavator:
He showed me how the machine’s body detached from the treads, and the cab from the body. The cab was only slightly larger than his fist. “I didn’t forget any details,” he said, “even the ladder here that the operator can use.” It had perfect little side mirrors too, and radio antennae, and its door opened on a tiny hinge and there was a seat inside for the driver, a gearshift in the floor, a tiny control panel panel complete with tiny dials. Eid had carved the chair from a bottle of shampoo and the windows from plastic soda bottles. The mirrors and lights he made from CDs and the reflective panel on the back of the machine was cut from a cast-off license plate. The whole thing was fully functional — the excavator swiveled on its treads, and its arm extended and bent at three joints.
Amazing. Simply amazing.
Eid’s dream is “to have one of his pieces added to the permanent collection of the Caterpillar museum at the corporation’s headquarters in Peoria, Illinois.”