Edward Hopper, Jo Hopper, and the Whitney Museum

This passage is too sad. Jo Hopper, Edward Hopper’s wife, was a painter. But she painted very little after she married (She was 41, Edward was almost 42).

. . .  it is almost impossible to form a judgement of Jo Hopper’s work, since so little of it has survived. Edward left everything to his wife, asking that she bequeath his art to the Whitney, the institution with which he’d had the closest ties. After his death, she donated both his and the majority of her own artistic estates to the museum, even though she’d felt from the moment of her marriage that she’d been a victim of a boycott by the curators there. Her disquiet was not unwarranted. After her death, the Whitney discarded all her paintings, perhaps because of their calibre and perhaps because of the systematic undervaluing of women’s art against which she’d railed so bitterly in her own life.

— “Walls of Glass,” Essay # 2 in Olivia Laing’s The Lonely City: Adventures in the Art of Being Alone

 

 

THE LONELY CITY: Another Chapter

I didn’t stay in Brooklyn long. The friend whose apartment I was staying in came back from L.A. and I moved to the green walk-up in the East Village. The change in habitat marked another phase of loneliness; a period in which speech became an increasingly perilous endeavour.

— Olivia Laing, “My Heart Opens to Your Voice,” Essay # 3 of The Lonely City: Adventures in the Art of Being Alone

This is really a lovely book.

Stay tuned, dear blog readers. Stay tuned.

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