Stephen Dunn: “For Some a Mountain”

Do some good work, mow the lawn
carry wood from the woodpile. Don’t confuse the dangerous
with the heroic.

— from “For Some a Mountain” by Stephen Dunn, in New Letters, vol. 82 nos. 3 & 4

  • Stephen Dunn has written 16 books. He won the Pulitzer Prize for his collection Different Hours (W. W. Norton, 2000). He is a professor of creative writing at Stockton University in New Jersey.

THE LONELY CITY: Edward Hopper

The Lonely City, by Olivia Laing, is a work of nonfiction.

It’s a collection of essays about lonely people.

Self’s on Essay # 2, “Walls of Glass,” which delves into the work of painter Edward Hopper and one painting in particular, Nighthawks, which can be seen at the Whitney (one of self’s favorite New York museums).

The painting is something the author returns to, again and again, during a lonely fall. She followed a lover to New York and it didn’t work out. Something about Hopper’s painting resonates with her.

Self decided to throw in a photograph of her own. It documents her enduring fascination with windows, her fascination with glimpses of other lives. Photo after the excerpt:

All photographs are silent, but some are more silent than others, and these portraits attest to what was by all accounts Hopper’s most striking feature, his gigantic resistance to speech. It’s a different thing from quietness, silence; more powerful, more aggressive. In his interviews, it functions as a barrier, preventing the interviewer from opening him up or putting words into his mouth. When he does speak, it’s often simply to deflect the question. “I don’t remember,” he says frequently, or “I don’t know why I did that.” He regularly uses the word unconscious, as a way of evading or disclaiming whatever meaning the interviewer believes to be seeping from his pictures.

DSCN9629

Windows are portals. When self looks through a window — any window — her imagination takes flight.

Stay tuned, dear blog readers. Stay tuned.

 

 

 

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