Iconic Shades: A VANITY FAIR Post (February 2014 Issue)

Self probably hasn’t mentioned Vanity Fair in almost a year.  Strange how this year has gone.

She’s still on the same Jhumpa Lahiri short story, the one she began two weeks ago.  Ordinarily, she’d tear through this collection (Unaccustomed Earth) in a week or two.

Anyhoo, let’s not look a gift horse in the mouth.  Here she is this evening, perusing the February 2014 issue.

On p. 46, the Fanfair section, there’s a piece on sunglasses inspired by classic Hollywood looks.

You could go “Dark Thriller,” like Audrey Hepburn in Charade (1963).

You could go “Lolita Luxe,” like Sue Lyon in Lolita (1962).

You could go “Killer Glam,” like Michelle Pfeiffer in Scarface (1983).

Or you could do “Riviera Chic,” like Grace Kelly in To Catch a Thief (1955).

You could also go “Anonymous Cool,” like Cary Grant in North by Northwest (1959).

You could do “Going Gonzo,” like Johnny Depp in Fear and Loathing in Las Vegas (1998).

Or you could go “Dapper Affair” like Steve McQueen in The Thomas Crown Affair.

Or you could go “Need for Speed” like Tom Cruise in Top Gun (1986).

These are the makers of the aforementioned sunglasses:  Dries Van Noten, Alexander McQueen, Linda Farrow, Balenciaga, Prism Portofino, Persol, Isabel Marant (for Oliver Peoples), Tom Ford, Warby Parker, and Saint Laurent.

The sunglasses start at $95 (Warby Parker) and go as high as $620 (the Linda Farrow cat-eye).

Three of the eight movies listed above star Cary Grant.  What does that tell you? He was the coolest, absolutely the coolest.  Tom Cruise and Johnny Depp don’t even come close.

Stay tuned, dear blog readers.  Stay tuned.



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