Street Life 2: WordPress Weekly Photo Challenge

More from the annual Masskara Festival, held in Dear Departed Dad’s hometown of Bacolod in the Philippines, every October.

These are from October 2012:

Masskara Festival, Bacolod City, 2012

Masskara Festival, Bacolod City, 2012

Another angle of the street dancers

Another angle of the street dancers

Self moved as close as she could get to the street dancers.  She felt bold because she was with her cousin Mae Lizares Villanueva.

Self moved as close as she could get to the street dancers. She felt bold because she was with her cousin Mae Lizares Villanueva.

The Chang-rae Lee Version of Dystopia

This is from the review of On Such a Full Sea, Chang-rae Lee’s new novel.  The review appeared in the January 27, 2014 issue of The New Yorker.  The reviewer was Joanna Biggs.

“More and more we can see that the question is not whether we are ‘individuals,’ Chang-rae Lee writes in On Such a Full Sea (Riverhead), his new, dystopian novel.  “The question, then, is whether being an ‘individual’ makes a difference anymore.”  It seems doubtful, in Lee’s somber future.  Afflicted by swine- and bird-flue epidemics, and a profound change in the climate, America, now known simply as the Association, has split into three separate social groups.  At the top sit the Charters, a small professional class that has controlled the country’s remaining resources and withdrawn into gated villages.  Catering their dinner parties and keeping their cars perpetually waxed are the ‘service people,’ who live in the land beyond, known as the counties.  ‘You better have it while you have it’ is the motto of the bartering, hardscrabble life there.”

District 12, anyone?  The twist is that the oppressed classes are “workers whose ancestors arrived from New China a hundred years earlier.”

Biggs then cites a list of dystopian narratives (which fortunately or unfortunately do not include anything YA), starting with “the math genius D-503, in Yevgeny Zamyatin’s We, who begins by designing the spaceship INTEGRAL . . .  to the fireman Guy Montag in Bradbury’s Fahrenheit 451 who starts out as a kerosene-wielding book burner and ends up harboring what may be the last copy of the Bible,” to Winston Smith, the “mid-ranking employee” of the Ministry of Truth in Orwell’s 1984.

Self has read most of Chang-rae Lee’s novels.  She’s read Native Speaker, Aloft, and A Gesture Life.  Of all his novels that self has read to date, her favorite is still A Gesture Life.  Harrowing.  She’ll never forget it.

What she likes most about Lee’s writing is the quietness of the voice.  The restraint masks sheer agony.  All his main characters are tightly wound but restrained, almost to the point of lunacy.  Feelings are to be distrusted.  They are acknowledged only under great peril.  Which makes him sound, on the surface, like Kazuo Ishiguro.  But self finds Chang-rae Lee’s characters, almost all of them, to be deeply emotional and passionate individuals.  If they do harm, it is mostly to themselves.

She does have a copy of On Such a Full Sea, signed by the author himself after a reading he gave in Berkeley.  Self is sorely tempted to tote it along to Ireland, but it’s hardback.  And self has sworn she’s not going to burden herself with more than a handful of books this time.  The fee for mailing the books back home will be exorbitant, if what she paid after Hawthornden is any indication.  Oh what to do, what to do!

Stay tuned, dear blog readers.  Stay tuned.

Late Sunday Night: Cavafy

And don’t be too sure that in your life —
restricted, regulated, prosaic —
spectacular and horrible things like that don’t happen
Maybe this very moment Theodotos —
bodiless, invisible —
enters some neighbor’s tidy house
carrying an equally repulsive head.

— from “Theodotos” by C. P. Cavafy

C. P. Cavafy, one of the greatest of modern Greek poets, lived in Alexandria for all but a few of his seventy years.  Rarely has a poet been so attached to a city.  Alexandria became for Cavafy a central poetic metaphor and eventually a myth encompassing the entire Greek world.

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