Today, self watched “Frozen.” What. A. Great. Movie. Self loved it so much, she almost wanted to sit through a second screening. It was about sisters, one of whom has to shoulder the burdens of becoming Queen, while the other one gets to be brave and feisty and stubborn and wrong and lead a more interesting life. Well, both sisters are wrong, at various points. But self identified with the older sister, the one who feels her lot in life is to live in sorrowful isolation. Self cried, harder even than she did in Catching Fire. As she walked out of the theater, self heard a couple of older teen-aged girls raving about the music: “Wasn’t that song by Demi Lovato?”
Last night, she decided to get caught up on another of her favorite heroines, Gwendoline Christie, who plays Brienne of Tarth in HBO’s Game of Thrones. In an interview in October, Gwendoline said that her part in GOT was done. Self got such a shock on hearing that, because it can only mean one thing: Brienne gets killed in Season 4. Noooooo!!!
And, this little morsel: self read somewhere that Jennifer Lawrence got hurt while filming a scene in Mockingjay — apparently the mishap involved choking. OK, now, what scene could that have been? Could that be the one with hijacked Peeta after his rescue from the Capitol? Because doesn’t he put his two hands on Katniss’s neck and — self, STOP RIGHT THERE!
And now, to the ostensible reason for this post:
Lev Grossman of Time Magazine conducted a five-part interview with Suzanne Collins and Francis Lawrence on The Hunger Games. The final part was published 22 November 2013. Here’s an excerpt:
Lev Grossman: When I read people writing about The Hunger Games, there seems to be a split between people who read it as an allegory of the emotional experience of being an adolescent, and there are people who read it more literally as an exploration of the moral issues surrounding war and political oppression. Is it both? Are you comfortable with both?
Suzanne Collins: I have read so many interpretations. There’s a whole Christian allegory. There’s you know, I’ve seen people talk about it like Plato’s cave, which is really fun. I’ve seen an indictment of big government. I’ve seen, you know, the 99 percent kind of thing. I think people bring a lot of themselves to the book. When Hunger Games first came out, I could tell people were having very different experiences. It’s a war story. It’s a romance. Other people are like, it’s an action-adventure story.
You know, for me it was always first and foremost a war story, but whatever brings you into the story is fine with me. And then, of course, if a person interprets it as an adolescent experience or a Christian allegory, you can’t tell them they didn’t. That was their genuine response to it, and they’re going to have it, and that’s fine. You can’t both write and then sit on the other side and interpret it for people.
I can tell you that for me it was a war story. But it also has so many ethical issues because you’re dealing with war, and there’s all these other ethical issues surrounding with, you know, there’s violence, there’s war, there’s hunger, there’s the propaganda, there’s the environment’s been destroyed, there’s a ruthless government, misuse of power and all these other elements that come into play with it, and people may respond to ones that are most important to them, and you know other people come for the love story. That’s fine.
You can read the rest of the interview here.
Stay tuned, dear blog readers. Stay tuned.