MANILA NOIR: “Satan Has Already Bought U” by Lourd De Veyra

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“Do you know what shabu means?  Did you know that each letter means something?” Cesar asked, pressing a clean sheet of aluminum foil between two one-peso coins.

“You mean an acronym,” Franco replied, a dull glint of the strip cruising his vision.

“A what?”

“An acronym.  That’s what you’re trying to say.  Each letter stands for a word.  Like PBA.  Philippine Basketball Association.  Or NBA . . . “

“I get it.  Exactly.  An acronym.  So . . . you know what shabu means?”

“I didn’t know it meant anything.”

“Satan Has Already Bought You.”

*    *     *     *

The gossip in Bacolod.  So-and-so had a shabu addiction.

Self:  “How can he be hooked on shabu, he doesn’t make any money.  Don’t you need a lot of money to get shabu?”

Self remembers how her cousin Manong Genray scoffed:  “Even ‘sikab‘ drivers get hooked on shabu.”

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Sikab is a bastardization of the words “Tricycle” and “Cab.”  You can take one of these, 5 pesos (11 US cents) a ride.  Cheaper even than riding a jeepney, which is 8 pesos (19 US cents).

Stay tuned, dear blog readers.  Stay tuned.

Recommendations, Last Saturday of May 2013

Frances Ha (directed by Noah Baumbach, and co-written by him and the actress Greta Gerwig) is a very beguiling movie.

It’s in black and white, which lends an almost documentary feel to it.

The heroine is clumsy, somewhat of a dork.  The scene where she gets an IRS refund check then immediately decides to treat a friend (who is actually 10x richer than she.  Seriously) out to dinner?  Classic.  The poor girl has to run to an ATM since the restaurant had a problem with her credit card.  She ran a really long way, and fell down.  When she got back to the restaurant, the guy, so sweet, said:  “Who do you know in Switzerland?” or “Did you have to go to Switzerland?” Ha. Ha. Ha.  Then, his next line:  “Why are you bleeding?”  “Oh,” poor Frances says.  “I’m bleeding?  Where?”

The girl is huge and ungainly (somewhat like Brienne of Tarth), but dreams of becoming a dancer.  It’s not happening.  Yet you root for her, all the way.

*     *     *     *     *

Alimentum, self loves you.  Why?  Not only are you rich in imagery and full of (meaty) content, self discovered this evening that her story “Cake” (which appeared a long time ago:  which is to say, last year) is featured on a sidebar in the Fiction section.  Yes!

Stay tuned, dear blog readers.  Stay tuned.

Discoveries, Last Saturday of May 2013

It makes self sad to write the above.  Indeed, it is the last Saturday of May 2013 she will ever live through.  Then May will turn into June, and before you know it, July will be here (though she loves July.  And not just because it’s her birthday month!)  Before you know it, it will be Christmas again.  And those silly Christmas doo-dads she pasted on her dining room windows, and has been too lazy or too distracted to take down?  She’ll just leave them on, so that when Christmas comes, there will be no more of this hunting around for them in the garage!

Self has discovered a new Kindred Spirit Blogger!  She’s not sure how she stumbled on this site, but she must have added it to her Bookmarks after she got back from Venice.

Tonight, she was browsing through it and thought:  Hmm, it’s been a while since self blogged about another blogger.  Let’s just say, she was very moved by the series of sunset pictures on this blog.  They reminded her of the picture that Philippine Genre Stories used to illustrate her story “The Departure,” which was the very first story of that webzine, and which she’s been reading regularly ever since.  It was fun to see it on the site, and a few months ago she discovered that Ellen Datlow (Who is Ellen Datlow, you may ask?  Don’t blame you, self had to look her up:  She is the editor of Science Fiction Magazine) had given self’s story (and a couple of other ones by Filipino writers, one of whom was Kristine Ong Muslim, whose writing self likes very much) an Honorable Mention for Best Science Fiction 2011!

Just now, self wandered over to Kristine’s website and discovered that Kristine has “garnered multiple nominations for the Pushcart Prize” and that “her short fiction and poetry were accepted in over five hundred anthologies, periodicals, and podcasts.”  Gadzooks!!!  Way to go, Kristine !!!

Later, self browsed for mentions of her own story, and found some other writer mention it in passing, saying it was “rather dark.”  To which self could only respond with a hearty

BWAH. HA. HA. HAAAAAA!

Stay tuned, dear blog readers.  Stay tuned.

News of the Day (3rd Thursday of May 2013)

Self got another rejection, this from The Collagist.

Did she ever share with dear blog readers that Manila Noir got a REALLY good review from Publishers Weekly?  Yay!  Big, big shout-out to Jessica Hagedorn, for doing such a smart job with the anthology (and La Hagedorn has a new story in it, too)

She bought a greeting card (with dolphins on the front) to give to son on Saturday, after his graduation ceremony at Claremont.

In honor of the occasion, today self delivered The Ancient One to the pet hospital, where she will board for the weekend.  Self drove so slowly that at least two SUVs honked her.  But never mind!  The Ancient One has a tendency to car-sickness.  She kinda let her bladder go all over self’s jeans (the only pair of jeans self has left, because four were in the suitcase that got stolen in Venice) when self was carrying her down.  Despite smelling like pee, self made herself wander the San Carlos Farmers Market.  This you can do in America:  she’d never dare wander Bacolod smelling like pee, but here no one gives a hoot.  It’s so much less stressful.

Because self and The Man have junkers for cars, every time we go south, we must rent.  And this time, self decided to splurge a little, because she rented a Prius.  And Holy Cow!  She’s never driven a car that didn’t have an ignition.  Only a wee button to press.  Plus, there was so much unfamiliar electrical whirring going on, every time she did something (like switch from “Park” to “Reverse” mode) that self felt like she was operating from inside a battery.  It was so much fun renting this car, because self was in the wrong line.  She picked the shortest line, and only after she got to the front did she learn that she had been in the line reserved for “Executive Members of the Fastbreak Club,” whatever that means.  But never mind.  Rather than send her to the back of another line, the busy rep actually made the time to get self a nice car, and she even confided to self that she, too, had a birthday in July.  “Which makes you a Cancer,” self said.  “My husband’s an Aquarius.  They’re supposed to be very incompatible with Cancer.”  The sales rep said, “My husband’s a Pisces.  Is that compatible with Cancer?”  “Yes,” self asserted.  “Pisces and Cancer go together like white on rice.” (Lordy, just see how self rattles on!)

Anyhoo, The Man is very excited that we will be on Highway 5.  Because it passes Coalinga.  And in Coalinga there are humongous ranches, including Harris Ranch.  Which means steak restaurants.  And that’s all he’s been talking about for days.

Today, self was in the Chef Shop in San Carlos and she saw so many fancy kitchen implements.  Since son and his girlfriend are moving in together, self decided to give son a call and ask him if he already had a rice cooker.  He said he did.  So self was quite at a loss for what to get him.  She decided to control her impulse to shop, and walked out of the store with only a ceramic butter dish.  Pats on the back, self!

Stay tuned.

Quotes, First Monday of May (2013)

Is it the sixth of May already?  How can it be?  Is self dreaming?  Is she still in Venice?  Did she move to Trieste?

Self then gives herself a good shake and settles in to read reviews of last night’s “Game of Thrones.”

No, not last night’s “Game of Thrones,” because that one only had a teaser about Daenerys and some flying about of her loyal dragons.

Self is reading reviews of the episode before last night’s, the one with the hot tub scenes.

What?  Dear blog readers didn’t know that in medieval times, there was easy access to hot tubs?  Well, now you know.

In a nutshell, here is what happened the week before last to the mis-matched pair, Jaime Lannister (aka “Kingslayer”) and his captor/bodyguard, Brienne of Tarth.  (Who thinks up these names?  Definitely, not self!):

Jaime, recently gravely injured, joined his former captor during her bath and for the first time reveals why he infamously killed Mad King Aerys and earned the derogatory nickname “Kingslayer.” (James Hibberd of insidetv.ew.com)

  • “Gravely injured” means Jaime’s right hand was chopped off.
  • “Derogatory” does not seem to apply to the name “Kingslayer.” Not, at least, in self’s book.

Here’s another version of the same scene, this from the Vancouver Observer.  Yup, that’s right.  The Vancouver Observer.  Apparently, the Game of Thrones thing has spread even to Canada:

Brienne of Tarth is taking a bath.  Turns out there’s a woman under all that mud.  Jaime Lannister slinks in, says “Don’t mind if I do,” drops trou and walks towards Brienne’s tub.

There are apparently other hot tubs in the area, as Brienne, fierce woman warrior that she is, is about to vacate and go to another one.  Seems there’s a veritable spa in the castle where Jamie and Brienne are being held prisoner.

Jamie tells Brienne to stay, saying something like “Don’t worry, it’s just me.”  And then he tells her a story, which is the most boring story in the whole world, self doesn’t know why a man and woman sitting in a hut tub have to do exposition.  But finally, Jamie says something to Brienne that pisses her off and she gets up and stands to her full height.  And Jamie gulps and –  next thing you know, he falls in a dead faint (because he’s never seen a giantess naked before?) and Brienne has to hold him in her arms, calling for help for the Kingslayer.  At which point, the guy who we all thought had fainted mumbles:  “Jamie.  My name’s Jamie.”

TA-DA!

Last night’s episode, Brienne was dressed as a woman, and Jamie was trying to eat a steak with one hand and failing miserably, much to the sadistic enjoyment of their host, the Lord of the Castle.  Brienne reaches out a hand and sticks Jamie’s steak with her fork (Holy Metaphor!), and Jamie then resumes cutting his meat with some semblance of dignity.  There was some gratuitous hand-holding afterwards.

Note to male/female prisoners:  When in the clutches of enemy, never hold hands.  This only provides Captor with more sadistic ideas about how to get each of you so muddled you’ll do/say anything.

And now to the REAL quote of the day, which is from a story by Paul La Farge (“Another Life”) in The New Yorker of July 2, 2012.  Yup, self is really scraping the bottom of the barrel now, in her Humongous Pile of Stuff.

The story needs to be placed in context:  a long-married couple go to Boston to attend the wife’s father’s 60th birthday party.  The husband finds the whole idea tiresome, he’d rather hole up in his room with Rousseau’s “Discourse on the Origin of Inequality” :  “Nature commands every animal and the beast obeys,” Rousseau writes (Self can’t believe she’s never thought of Rousseau before, especially since she’s now completely hooked on Game of Thrones.)  At some point, the husband decides to continue reading Rousseau in the hotel bar, so he brings his book down with him:

The husband is not trying to pick anyone up.  His wife will be back in an hour or two, and besides who would dream of picking someone up with Rousseau?  Of all the authors you could try to pick someone up with, Rousseau is probably the worst.  Or maybe Kant.  The husband orders a hot toddy.  The bartender, an attractive young woman with crinkly black hair, brings him the drink and they exchange remarks about it.  Is that what you wanted?  Yes, it’s perfect, the husband says.  Good, I’m glad.  The bartender smiles.  The husband reads more Rousseau.  Upstairs, in his room, he was really understanding the Second Discourse, but down here at the bar he finds it hard to concentrate.

Stay tuned, dear blog readers.  Stay tuned.

Back Again to Pham Thi Hoai’s “Nine Down Makes Ten,” Begun Over a Month Ago

Self frequently alternates between books.  One of her current readings is the Trevor Carolan anthology, Another Kind of Paradise:  Short Stories From the New Asia-Pacific.  The story she left off reading before she left for Venice was Vietnamese writer Pham Thi Hoai’s “Nine Down Makes Ten.”  The anonymous narrator parses all the various lovers she has had.  She was on lover # 8 before self left for Venice.  Self will resume:

I did not know whether I was worthwhile or mundane, but this was not really the issue.  I was grateful to this man and enjoyed the taste of his affection, despite a small stubborn girl within me who refused to cooperate.  She said:  According to this particular mode of obsession all objects are equal, and then I am no different from a potato or an ant, but if people like to manufacture an obsession by constantly stoking their own engine, then by all means they should go ahead.  Gradually I learned to repress that obstinate girl and ignore my uneasiness with the difference between artificially produced obsessions and primeval obsessions.  Let Proust distinguish between the two, or the column “Mothers Advise Daughters” in some woman’s magazine; I am interested only in my own obsession and its consequences.  The most ironic aspect of its unforeseen consequences was that he and I both became pitiful victims of the obsession.  It forced him to wait by every street on which I might pass, to pull me away from all activities, no matter how fundamental to existence:  eating, sleeping, seeking work; it interfered with all my relationships, with my family, colleague, friends, and expanded into all areas and times that I liked to save to myself.  I no longer had my own space, time, or lifestyle; my environment was upset, my psychological state was upset, my language went out of my control.

The piece goes on.

Self would also like to inform dear blog readers that yesterday afternoon, she and The Man watched The Reluctant Fundamentalist, Mira Nair’s new movie, showing at the Aquarius.  Self loved the music, and the passion of the lead actor, a Wall Street yuppie whose small act of defiance (growing a beard that makes him look more “foreign” after 9/11) leads him to commit to larger and larger causes that have nothing to do with his job or with making money.

Stay tuned, dear blog readers.  Stay tuned.

First Reading Attended at Kepler’s Since Who-Knows-When

Self hasn’t attended a reading at Kepler’s in who-knows-how-long.

It’s been a Menlo Park mainstay for decades.  Self knew it first as a small purveyor of paperbacks, in a teensy shopping center off El Camino.

They moved to a much nicer space after son was born, right next to Cafe Borrone.  Self gave a reading there for her first book, Ginseng and Other Tales From Manila.

For a while, there were fears it might close.  But loyal patrons saved it.  Now, the store soldiers on.

There were so many things happening this weekend:  the ballet, Zack’s reading last night at the Bayanihan Community Center.  Self couldn’t make it to Zack’s reading because the ballet was happening –  So sorry, Zack!  But this afternoon, when she saw that Tremors (The University of Arkansas Press), the anthology of Iranian American writers that Anita Amirrezvani co-edited with Persis Karim, she dashed over, and was so glad she did.

  • Seven readers:  six women, one man.
  • One rude heckler (He tried everything to disrupt the event:  clapping loudly, muttering things under his breath, even belching), unfortunately seated directly behind self.
  • A fellow Stanford Creative Writing Fellow, Sharon May (whose story, “The Wizard of Kaho-I-Dang” was set in Cambodia, and told from the point of view of a man).
  • And the very charming Anita Amirrezvani herself, whose first novel, Blood of Flowers, self remembered being so enthralled by, and whose second novel, Equal of the Sun, has just been published by Scribner.

And here they all are, post-reading!

Anita Amirrezvani (the tall woman in the center), with the contributors to the Iranian American anthology, TREMORS, at Kepler's Books Sunday, Apr. 14, 2013

Anita Amirrezvani (the tall woman in the center), with the contributors to the Iranian American anthology, TREMORS, at Kepler’s Books Sunday, Apr. 14, 2013

Aren’t they all just radiant?

Stay tuned, dear blog readers.  Stay tuned.

Still Reading Pham Thi Hoai’s “Nine Down Makes Ten,” Begun Two Weeks Ago

Will self’s life never settle down?  Will she ever be able to curb the impulse to travel?  Or will she continue in this comical way, never being at peace for, as her Tita Ateta Gana, a very wise woman, once prophetically said after listening to self tell a hair-rising story about delivering Sole Fruit of Her Loins in Stanford Hospital, after 17 hours of labor:  “Everything happens to Batchoy.”  She didn’t know how prophetic she was!

Will she be able to get through 200 pages of Don Quijote tomorrow, in order to avoid her overdue fine getting any bigger?

Is she really planning to take Henry James’s The Portrait of a Lady with her to Venice, in hardcover, even though it takes up approximately 1/4 of her suitcase?

Is it good not to worry about clothes when one is traveling?

Will $150 worth of pain medication be all that Bella The Ancient One needs to survive the next two weeks?

Can self make it to Trieste?

Can she sit 13 hours in an airplane, in an economy seat, without her neck absolutely killing her?

Will she ever be able to finish anything she starts?

Two weeks ago, she began reading Vietnamese writer Pham Thi Hoai’s story in Another Kind of Paradise:  Short Stories From the New Asia-Pacific, edited by Trevor Carolan.  My, that story had her in stitches!  She was absolutely entranced.

It is written in very dense paragraphs (translated from the Vietnamese by Peter Zinoman), but the tone is wicked sly.  It’s about an unnamed woman’s various lovers.  Self reads about Lover # 8:

The eighth man had the hair of a poet, the face of a poet, and a soul especially given over to poetry.  Such qualities are found only in people who have a lot of time and no concrete obligations in life.  When engrossed in the rising and falling of his watery waves, and once acquainted with his passionate love of writing –  swiftly, without semicolons — I began to understand that the most worthwhile obsession is an obsession that is actually independent of the object of fixation.  The object is only borrowed as a pretext, a means, an environment, through which or in which the obsessed person can project his own eternal and essential hunger, thus fulfilling the requirements of death — the dissolution of the ego for something, anything, that exists independently outside of one’s self.  Perhaps that obsession should be controlled.  At some point the most mundane catalyst, a skirt or a fallen leaf, is enough to provoke a series of captivating chain reactions, while at another time much more important objects will inspire only an absurd indifference.

Here, by the way, are a list of things that have remained constant in her life:

  • Her undying commitment to Apple, especially her MacBook Air
  • Her love of blogging, and her corresponding need for the internet.  Dear Cuz Maitoni once aked self:  “Must you always take it upon yourself to entertain the whole world?”  That is such a very pertinent question, Dear Cuz!  Self knows not why.  On this question, she is drawing an absolute blank.
  • Her conviction that she is absolutely made to travel: no matter how unsure she is about her cooking, or her housecleaning, or even the value of her writing, she has only to plan a trip when  –  VOILA! — happiness and confidence descend, and she can brave anything, even the worst bad hair days.

Stay tuned, dear blog readers.  Stay tuned.

Hilarious: Pham Thi Hoa’s “Nine Down Makes Ten,” in a Translation by Peter Zimoman

Self is reading — in between her regular reading, that is –  Another Kind of Paradise:  Short Stories from the New Asia-Pacific, edited by Trevor Carolan (Cheng & Tsui, 2010).  At the present time, self is reading about five different books simultaneously.

The first two short stories in Another Kind of Paradise were by Japanese writers.  The third story, “Nine Down Makes Ten,” is by the Vietnamese writer Pham Thi Hoai.  It is simply hilarious.

The paragraphs are very, very long — if not quite as long as a Jose Saramago paragraph.  The unnamed narrator proceeds to dissect the personalities of all her various lovers.  The woman is absolutely merciless.  What keeps the narrative from being out-and-out funny is the fact that the reader becomes acutely aware of how much time the narrator has sacrificed to be with each man, and how futile all her effort turns out to be.  Another thing that occurs to self is:  what kind of parents did these men have, and how did they manage to get away with cultivating this array of eccentric — even bizarre –  behavior?

Here’s the passage about Lover # 2:

The second man was frivolous and merry, an urban child who had yet to go through the period of spiritual crisis characteristic of civilized society.  He was crazy about music, from Beethoven to the Beatles, and possessed a good singing voice, but couldn’t bear to practice.  He also loved soccer and had a decent kicking foot but no concentration for workouts.  Generally speaking, he had no concentration for anything, not even love.  It’s difficult to trust such a man, since it’s never clear where the vectors of his personality are going.  He seemed on first impression someone tremendously frivolous, one who possessed rare and peculiar notions of life, often puzzling to those who met him.  His face was so natural it provoked suspicion, and I believed that under that wonderful skin lay hidden an extraordinary nature.  How else to explain the perfect harmony existing between him and his environment, a final symbol of his capacity to live so deeply and so freely?  But after only three sentences had been uttered from his lovely, smiling mouth, this first impression quickly evaporated.  He was one of a countless number of fortunate young men who live an unexamined life, not because of some conscious principle, but simply owing to circumstance — frivolity as a habit, as a way of life.  He was frivolous in all details, and only details concerned him.  His frivolity manifested itself in the care he took in striking a relaxed pose, and in the attention he devoted to celebrations, to feasting and to appearing knowledgeable; this all in the context of a larger existence that was not at all frivolous, but serious and substantial.  At a certain age, those as extroverted and unaffected as he sink into the cloudy chaos of life’s problems . . .

Do you see what self means, dear blog readers?  She’s only halfway into the story:  there is much more hilarity to come!

Stay tuned, dear blog readers.  Stay tuned.

The Story “Thing” (New Orleans Review, Vol. 38.1, 2012) and the Photography of Stella Kalaw

Stella K has a pair of photographs on her site that seem to embody the ineffable.  They’re landscape photographs, but –  it’s hard to tell what’s below the horizon in the first photograph.  Could that be a city?  The ruins of a city?

The second photograph has branches –  sticks, really — rising out of what could be a marsh, a swamp, mist.

Stella’s photographs always lead self to imagine a story.  That must be because, even though self’s medium is language, stories come to her in images, flashes, fragments.

There is something really powerful that happens –  emotionally –  to self when she ponders Stella’s work.

So here’s a story, “Thing,” which is set After the Apocalypse, in Outlier Rehabiliation Center Sector V:

Caesar tells stories late at night if we can’t sleep.  He is old.  Old enough to remember a time when there were factories and pigs were processed night and day, when the smell of pig blood lingered over everything.  He remembers a time when people ate every part of the pigs:  ears, eyes, even entrails.  Pork fat was used in cakes, and in bread.  I try to imagine a cake.

The factories still cry out.  When we hear the keening sound, we know it is the herd of ghost pigs, running into walls and crying because they can never find their way out.  They are inside people’s heads, like the memories of old ways.  And when people’s heads get too full of the memories, the first ones to tumble out are the pigs, running every which way and squealing.

Stay tuned, dear blog readers.  Stay tuned.

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