A Review of Books About Insomnia (The New Yorker, 11 March 2013)

Since it is a very long time until the next season of Game of Thrones, self has been watching Season 2.  Believe it or not, she has gotten into such a rhythm with watching this show (The Man wants to know why self is so obssessed.  Channeling Ygritte, self tells him:  “You know nuthin’, The Man!” In other words, he better keep his trap shut if he doesn’t want to get plugged with so many arrows he ends up looking like a hedgehog, which was the sight presented by Jon Snow when he dazedly arrived at Castle Black in the final episode of Season 3!)

Anyhoo, it seems she can’t get to sleep at night unless she watches one episode, just before bedtime.  Last night, The Man (who is a Great Tease), played two back-to-back episodes for self, and this was a little bit too much, as then self found that instead of falling asleep at midnight, she was very jacked up.

But, enough with the digressions!  While plowing through her once-again-humongous Pile of Stuff today, Friday, self happened to come across an essay called “Up All Night:  The Science of Sleeplessness,” in The New Yorker of 11 March 2013.  She read the article straight through, from beginning to end, with only one break:  to go to the Redwood City Library and pick up a copy of Hilary Mantel’s Wolf Hall (It’s self’s first Hilary Mantel.  Isn’t that crrrrazy???)

One of the books reviewed, The Slumbering Masses, written by a UC Santa Cruz anthropology professor named Matthew J. Wolf-Meyer (What a fabulous name for a professor!), has this to say about our modern pattern of sleep:

Until a century and a half or so ago, Wolf-Meyer observes, “Americans, like other people around the world, used to sleep in an unconsolidated fashion, that is, in two or more periods throughout the day.”  They went to bed not long after the sun went down.  Four or five hours later, they woke from their “first sleep” and rattled around –  praying, chatting, smoking, or making love.  (Benjamin Franklin reportedly liked to spend this time reading naked in a chair).  Eventually, they went back to their “second sleep.”

As for self, she fell into the habit of wakefulness when she became a mother.  So that she would not waste a single minute of the nocturnal hours, she would read next to son’s crib.  When he woke, she would wake, and then read some more.  In this way, self managed to read many, many, many books, all the while son was an infant, and years and years beyond, up to today.

The Man is exactly the opposite:  he falls asleep instantaneously, and sleeps 10 hours at a stretch.  One minute he’s awake, the next –  Bang! –  he’s asleep.  Then he starts to snore.  Loud.  And this makes self so frustratingly envious that she is tempted to pinch The Man’s nose.  But she restrains herself.  She is not the type of person who pinches sleeping people’s noses.  Of course not!

She read somewhere that people who have insomnia live much shorter lifespans than other people.  Which means –  hello!  There is absolutely no time to waste, self!  Get cracking and finish your book!

Another book mentioned in the essay is Internal Time:  Chronotypes, Social Jet Lag, and Why You’re So Tired, by Till Roenneberg, of the Ludwig Maximilian University of Munich (Again, what a name.  Self can go years at a stretch without encountering one single outstandingly fabulous name, and suddenly, in one essay, she encounters two).  Here the professor categorizes people according to sleep habits.  Some people are larks, which means they are indefatigable early risers.  And other people are owls, which means they stay up all night.  According to the author of the essay, Elizabeth Kolbert (which has self wondering if it’s pronounced like Stephen Colbert’s name, but once again she digresses), “Teen-agers are owls, which is why high schools are filled with students who look (and act) like zombies.”  Self wonders how teen-agers graduate from being owls to being normal?  Or do some people stay owls for the rest of their lives?

Stay tuned, dear blog readers.  Stay tuned.

Recommendations, Last Saturday of May 2013

Frances Ha (directed by Noah Baumbach, and co-written by him and the actress Greta Gerwig) is a very beguiling movie.

It’s in black and white, which lends an almost documentary feel to it.

The heroine is clumsy, somewhat of a dork.  The scene where she gets an IRS refund check then immediately decides to treat a friend (who is actually 10x richer than she.  Seriously) out to dinner?  Classic.  The poor girl has to run to an ATM since the restaurant had a problem with her credit card.  She ran a really long way, and fell down.  When she got back to the restaurant, the guy, so sweet, said:  “Who do you know in Switzerland?” or “Did you have to go to Switzerland?” Ha. Ha. Ha.  Then, his next line:  “Why are you bleeding?”  “Oh,” poor Frances says.  “I’m bleeding?  Where?”

The girl is huge and ungainly (somewhat like Brienne of Tarth), but dreams of becoming a dancer.  It’s not happening.  Yet you root for her, all the way.

*     *     *     *     *

Alimentum, self loves you.  Why?  Not only are you rich in imagery and full of (meaty) content, self discovered this evening that her story “Cake” (which appeared a long time ago:  which is to say, last year) is featured on a sidebar in the Fiction section.  Yes!

Stay tuned, dear blog readers.  Stay tuned.

Books Mentioned in The New York Times Book Review, 30 September 2012

Isn’t it wonderful how self keeps finding NYTBR issues from last year?

Here’s one that isn’t too long ago:  it’s from September 2012.

In this issue, the “By the Book” interview is With Michael Chabon, who just happens to be reading Moonraker, by Ian Fleming (written 1955).  He also mentions Cloud Atlas, and Ben Marcus (author of The Flame Alphabet) and three of what he thinks are classics of “genre fiction”:  The Turn of the Screw, Heart of Darkness, and Blood Meridian.  Next on his reading list:  Beyond Black, by Hilary Mantel, and Diamonds are Forever.

There is a review of Love Bomb, a novel by Lisa Zeidner, that refers to a previous novel by Ayelet Waldman, Red Hook Road (which self will try and read).

Finally, there is a review by Christian Bauman (who served with the United States Army in Somalia and Haiti) of Fobbit, by David Abrams, a novel whose hero is assigned to a public affairs team in a “Forward Operating Base,” or FOB, in Iraq. (“Dead soldiers,” according to Abrams’ hero, “were now little more than objects to be loaded onto the back of C-130s somewhere and delivered like pizzas to the United States.”)

Interesting.

Stay tuned, dear blog readers.  Stay tuned.

The New York Review of Books (7 March 2013)

Below are the books self is interested in reading after perusing the 7 March 2013 issue of The New York Review of Books.  Her choices are nothing if not idiosyncratic:

Former People:  The Final Days of the Russian Aristocracy, by Douglas Smith:  reviewed by Michael Scammell (Self admires the title of this book tremendously; she, too, has felt, many times, like a “former people.”)

Now All Roads Lead to France:  A Life of Edward Thomas, by Matthew Hollis:  reviewed by Helen Vendler.  In a nutshell:  “Thomas meets Frost in London in 1913, begins (for the first time since Oxford) to write poetry, feels guilty (in complex ways, including the fear of cowardice) about watching others die while he remains at home, decides to enlist, trains as an officer (in part for the higher pay), volunteers for the front, and courts death.  When the death arrives (from a bomb blast in Arras) it is both shocking and unsurprising.” Tragic.

Several books about General David Petraeus, reviewed by Thomas Powers:

  • The Insurgents:  David Petraeus and the Plot to Change the American Way of War, by Fred Kaplan
  • The Fourth Star:  Four Generals and the Epic Struggle for the Future of the United States Army, by David Cloud and Greg Jaffe

In the course of the review, Powers cites three other fascinating books:

  • The Centurions, a novel by Jean Lartéguy, about the lessons learned by French army officers captured by the Vietminh at Dien Bien Phu (“You’ve got to have people on your side . . . if you want to win a war.”)
  • Street Without Joy, a “history of the long French failure in Vietnam,” by the French writer Bernard B. Fall
  • Hell in a Very Small Place, also by Bernard B. Fall, about “a set-piece battle at Dien Bien Phu in 1954.”

And now, self must get going if she wants to catch the Menlo Park Farmers Market.

Arrivederci, dear ones.

Books of The Economist, 16 March 2013 and The New York Review of Books, 27 September 2012

Self has Don Quijote so much on the brain (it’s overdue at the Library: she better hurry up) that she even sees a theme in the latest book list:  it seems to be a list of Quijotic Endeavours.  After you read the capsule descriptions, see if you don’t agree, dear blog readers:

  • A first novel, Ghana Must Go, by Talye Selasi (Penguin Press):  A brilliant medical student from Ghana becomes the scapegoat in the death of a 77-year-old “Boston socialite, wife, mother, grandmother and alcoholic.”
  • The “agony” of Iraq, described by Toby Dodge in Iraq:  From War to a New Authoritarianism:  “The collapse of the Iraqi state” allowed ‘ethnic entrepreneurs’ — “political manipulators of sectarian fears –  to flourish.”
  • An artist talks about his process in The Lost Carving:  A Journey to the Heart of Making, by David Esterly (Viking):  Esterly’s medium is wood.  His inspiration was a 17th century woodcarver who went by the name Grinling Gibbons.  When “a fire at Hampton Court Palace damaged a series of Gibbon carvings . . .  Mr. Esterly was chosen to recreate” one of them, a “seven-foot-long cascade of fruit and flowers . . .  This book is the story of the year it took him to do it.”

And, from The New York Review of Books of 27 September 2012, two very interesting reviews:  the first by Jerome Groopman, reviewing God’s Hotel:  A Doctor, A Hospital, and a Pilgrimage to the Heart of Medicine by Victoria Sweet (Riverhead) and the second by Ezra Klein, reviewing The Obamas, by Jodi Kantor.

Stay tuned, dear blog readers.  Stay tuned.

Joe Morgenstern of the Wall Street Journal, Friday 15 March (2013)

A long time ago, when self was still a veritable babe in the woods about the whole movie reviewing thing, self fell in love with a movie called “The Hurt Locker.”  She happened to be in New York, trying to write a libretto (!!), and one fateful day, emerging from the subway on Columbus Circle, she stopped at a news kiosk to purchase a copy of the WSJ and later that night read Morgenstern’s review of the movie.  It was entitled “Shock, Awe, Brilliance.”

She couldn’t wait to blog about it, and some weeks later, shock of her life, Morgenstern himself actually left a comment on this here very blog!

Which understandably sent self into conniptions!

He began: “Just so you don’t think I am completely jaded . . . “

Morgenstern love!  Morgenstern love!  Morgenstern love!

Today, it is many years later.  There are a few more wrinkles on self’s face.  She knows because when she went to her local Michael’s to have her Story/Stereo poster framed, and told the young men helping her at the Custom Frame Shop that she was one of the featured performers for the event being advertised, that she had indeed performed with a rock band in Washington, DC, they looked at her as if she were a dotty old lady, and evinced not the slightest tremor of excitement.

Anyhoo, Read the rest of this entry »

Many What Ifs

Self has often pondered what it might be like to be a movie critic.

First of all, she’s mad about movies.  Anyone who’s read this blog for a month or so would know.

Wouldn’t it be fabulous if she got hired somewhere as a film critic?  And got paid for her reviews?

It would certainly be better (financially) for her if she got paid to write movie reviews.

Then, she wanders over to Eric D. Snider’s blog (which she reads quite often, several times a week).  In one of his posts (She thinks it’s the one where he rounds up his activities in 2012), he mentions that he saw 503 movies last year.

503 movies!  La-la-la-la!  Is that how many movies one must watch in order to be considered a serious movie critic?  And here she was thinking that, since she watches on the average about six movies a month (She means, in a theater, not at home on cable), she has the chops to be a movie critic!

Self just woke up!

*     *     *     *

Tomorrow night she wends over to Berkeley to watch Benito Bautista’s “Harana.”  She bought her ticket online, as an added motivation to go (She hasn’t been to Berkeley in almost a decade and isn’t sure she feels relaxed enough to wander about by herself).  Does any one of her FB friends care to go?  Do any of her writer’s group want to go?  Can she call up a niece?

Ixnay, ixnay all over the place.  Finally, in desperation, self dials The Man’s cell.  “I’ve bought you a ticket,” she tells him.  “I’ll drive.  All you need to do is sit beside me and snooze.”  OK, quoth The Man.  Finally!  She succeeds!  It has taken so much effort, and so many going-back-and-forths in her mind, that self is quite spent after this phone call and thinks she needs to go and buy herself a new clematis.

*     *     *     *

Last night, self steeled herself to watch the concluding episode of Parade’s End.  The war or something has broken the frozen sea inside Christopher Tietjens.  His wife and son installed at the ancestral home, his wife having desecrated the grounds by her petulant destruction of an ancient cypress tree which was blocking the light from the main house (It was a pagan tree, hung with mementos from the darkest past, a symbol of the wild, unruly passion lying dormant in the British aristocracy’s soul), he returns to his cold, empty, lonely life in a flat in London, and –  that Blonde Suffragette comes!  Christopher says he will never divorce his wife, but after a little while spent in Miss Valentine Wannop’s company, he succumbs to desire.  END OF STORY!

Self must admit, she was in the wife’s corner.  First of all, the wife had so many flaws.  She was completely, completely corrupted.  She wore the most fabulous gowns.  Her eyes were so sad.

Naturally, she cannot compete with the virginal freshness of the Blonde Suffragette, and self on some level realizes that Christopher has certain physical needs that only someone with a figure like Valentine’s can satisfy.

So, self bears the brutality of the ending (Christopher in bed with Miss Valentine — possibly the most ham-handed ending ever, which includes gratuitous shots of the little missie’s ample physical gifts).

She thinks that in Parade’s End Part II, there should be scenes of the complicated marriage that ensues.  For one thing, although Christopher seems happy, he can never be completely happy because he is English.  It is just impossible for an English hero not to be constantly asking himself, “Should I be this happy?  Is this completely normal?  What makes my partner so placid and content?  Do I WANT to be placid and content?”  And so forth and so on.

Self would give the whole series four out of five stars.

Stay tuned, dear blog readers.  Stay tuned.

Tra-La, Tra-La, a New NYTBR Post (from Issue 3 March 2013)

The “By the Book” interview is with Garry Wills.  In keeping with his stature as a heavyweight intellectual, his recommended tomes are mostly tremendously serious books, for example:  Through the Eye of a Needle, by Peter Brown; David Balfour, by Robert Louis Stevenson; and The Acts and Monuments, about the upheavals of Reformation England, by John Foxe.

The Fun Parts, a collection of short stories by Sam Lipsyte, endorsed by Currently Famous Short Story Writer Ben Fountain

Schroder, a novel by Amity Gaige (Self realizes she’s already read a chapter of this novel; it was in One Story)

A couple of novels by chick-lit writer Lucinda Rosenfeld, including the just-published The Pretty One:  A Novel About Sisters.  According to reviewer Emily Cooke, “None of the women have the lives they once envisioned, and they won’t let one another forget it.”

Stay tuned, dear blog readers.  Stay tuned.

Justified Season 4 = Magnificence

Episode 4.9 ended less than an hour ago.

Self is just loving the drama this season.

Here are some things she’s noticed:

  • Everyone in Harlan County wears super-tight jeans.  Self is of course referring to the men:  Raylan Givens, Boyd Crowder.  If you happen to be a man, one without a predilection for wearing super-tight jeans, you are a minor character.  GET OVER IT.
  • This episode marks only the second time this season that she’s heard Timothy Olyphant say “Shut up.”  She loves the whole “Shut up” thang.  Raylan always says it to a perp.  It occurs to self that part of Raylan’s appeal is that he makes you think he’s doing you a favor when he pulls a gun on you.  Shoot me, Raylan!  Just shoot me!
  • Raylan’s father is dead.  Dead as a doornail.  There will be no Second Act for Raylan’s dad.
  • The character of Ava has undergone quite a transformation since Season 1.  Self will never forget how Ava crept into Raylan’s life:  she was a battered wife who shot her husband, and Raylan had just moved back to Harlan County.  Now that Ava has turned into such a Hard-Ass, self wonders where her character can go next.  Maybe Ava will be converted to evangelical Christianity!  Maybe she and Boyd will split!  Maybe she gets pregnant!
  • The preacher’s sister makes an appearance, looking so exceptionally wan.  She is being strangled by Grade B Gerard Depardieu and cocaine addict Colt when Tim Gutterson arrives, just in the nick of time.  Later, she and Tim Gutterson have an intimate conversation in a squad car.  Self thinks she knows where this thread is going.  Saint + Ex-Sniper = hello, fascination!
  • There has been no Erica Taziel, not for weeks and weeks.  She doesn’t even appear in a panning background shot.
  • Art, Raylan’s boss, has a tirade.  Self loves when Art goes into a tirade.  It’s always about something Raylan did or didn’t do.  What endurance Art has:  coping with the Raylan drama must be exhausting.  Give Art a medal, already!
  • Self thinks she likes “Justified” better when Raylan is left to do his thing.  Whenever Ex-Wife Winona or that woman who was married to a fighter put in an appearance, the narrative gets pulled into odd directions.  It is just fine, in self’s humble opinion, for Raylan to remain unattached for the rest of the show’s life.  Because Olyphant is so gorgeous, it’s hugely ironic to see him having such bad luck with women.  It’s the In-Joke of all In-Jokes.
  • Self loves the scene where a rotund police officer tries to arrest two people:  they laugh at him and tell him to run along.  Self has a new appreciation for people who decide to be cops, especially if their beat turns out to be the old neighborhood.
  • Why is Ella May such a thorn in everyone’s side?  She’s a poor waif who wouldn’t hurt a fly.  About the only transgression Ella May is guilty of is escaping from her would-be murderer.  People, why can everyone not understand that Ella May DOES NOT WANT TO DIE?  Who can blame her?  It is so nice to be alive.  To want to be alive is not a crime, is it?  But because Ella May has not obliged by conking off, now everyone is competing to end her miserable life.  Is this justice?  What kind of people would sink to such a low of moral turpitude?
  • Self loved the closing scene.  Raylan is having a chat with the prisoner he was escorting to a new facility, the one who killed Raylan’s dad.  Raylan tells the Orange Jumpsuit that the last conversation he had with his Dad was heartwarming –  or words to that effect.  Then, THE END!

Stay tuned, dear blog readers.  Stay tuned.

Seth MacFarlane’s “Boobs” Medley

For several moments during last night’s Oscar Tele-cast, self thought she was watching a milder version of John Belushi in “Animal House.”

The laughs were pretty forced, she didn’t like that opening (“I saw Kate Winslet’s boobs, boobs, boobs.”  Sheesh!  Do you really expect women to laugh at a man in a tux singing about boobs?)

But during the second half of the tele-cast, the very heavily padded show had self gasping for more MacFarlane.  Then, she actually began to appreciate him.

She didn’t understand what Affleck meant when he Read the rest of this entry »

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