Weekly WordPress Photo Challenge: Escape 2

The Virginia Center for the Creative Arts

The Virginia Center for the Creative Arts

Self spent the month of August 2007 here, writing in a little studio by the barn.

Here was where she wrote the piece “Jesters,” which was published January 2012 in Used Furniture Review.

Stay tuned.

Other (Mostly Discouraging) News

Once in a while, self gets the strange feeling that she is on a boat, and that the ground is moving up and down.  She felt it just a few minutes ago, in a bar where she was checking e-mail messages.

Self, get a grip!  Even though Venice is resting on ancient wooden pylons, it is not a ship.  You’re going daft.

Since arriving in Venice, self has received  a total of eight rejections, and one announcement of contest results.  The contest was the one by New South.  Why self thinks she Read the rest of this entry »

Happy Easter/ Call for Submissions

Watched “North by Northwest” yesterday afternoon, thought Cary Grant was absolutely fabulous.  As was Eva-Marie Saint.  Of note:  Ms. Saint reminded self a little of Scarlett Johansson.  She is, so far, self’s favorite Hitchcock actress.  So much more alive and vibrant than the rather static Grace Kelly.

A friend invited self to the San Mateo Gem Show (No idea what that is, really) and self kept saying she would go, she would go, and in the end she did not go, she watched the Hitchcock movie.  Self wonders if she did the right thing — it’s the morning after, self feeling the usual insecurities, blah blah blah

She’s waiting for a decent hour to call son and wish him a Happy Easter.

In the meantime, there’s a Call for Submissions from Memoir Journal for a special issue on the theme of GUNS.  (Guns and Easter seem to go perfectly together, don’t ask self why).  Essays must be previously unpublished and may not exceed 6,000 words.  To be considered for a contest prize of $1,000, there is a $20 entry fee.  However, submitters who desire publication in the issue but do not want to be considered for the money prize do not have to pay a submission fee.  Deadline for submissions:  June 5, 2013.

Further From (Former UCLA Extension Writers Program Student) Nandini Dhar

Have been pensively reading.  The two journals Nandini sent self, which arrived a few days ago, are right next to her MacMini.

Here’s an excerpt from her piece “Books,” published in Pear Noir! Number Eight.  Her writing is beautiful, lovely, overpowering:

Books

1.

The book called dishhaniory was thick, fat and big:  stiff cardboard covers of red, brown and yellow.  Whenever my father peeked into it, he looked smileless, unlike the times he read the newspapers.  My mother hardly ever touched it, the dishhaniory, that is.  It was my father’s book for all I knew.

The dishhaniory was a prize book.  They gave it to him along with another book called Oliver Twist.  They, as in his teachers, whom he referred to as sir, and the principal of his school whom he referred to as headsir.

They gave him the dishhaniory because he learnt the words well.  Oliver Twist because he could count even better than he could read.

And since then, he has been using the dishhaniory.  Fingering through its pages, underlining the words, making it age, forcing it to loosen up.  So much so that the last page was gone and my father kept telling himself, “I really need to bind this book up.”

But then, he never did.

(There’s more, but self really really has to see if she can hunt up the latest episode of Justified, the one she missed on March 19.  Not to mention clean up in the kitchen.  And put the finishing touches on a manuscript she’s sending out.  Truly, self’s work is never done.)

Stay tuned, dear blog readers.  Stay tuned.

By Nandini Dhar, a Former Student at UCLA Extension’s Writers Program

A surprise package came in the mail today.

When self opened it, there were two journals nested inside: Pear Noir! No. Eight and Room, Issue 36.1

They were sent by Nandini Dhar, who was in self’s on-line Essential Beginnings class, several years ago.

Self is so touched by Nandini’s thoughtfulness! She couldn’t wait to read the pieces.

She wasn’t wrong when she told Nandini, You are a very talented writer.

Here’s one of her poems. It’s from Pear Noir!

In My Mother’s Kitchen

In my mother’s kitchen, something was always bleeding –
soot-tainted walls, stains of mustard oil on the skillets,
beetroots, carrots, fish, chicken.

If nothing else, her own flesh.

My mother taught me to be afraid of everything in her kitchen –
the knives, the fire, the capacity
of metal pots to scald the skin.

Most of all, she taught me to mistrust
the fragrance of boiling rice.

So powerful!

Thank you, Nandini, for letting self know about your poetry (Self had no idea; on second thought, she should have known from the sound of Nandini’s prose :  only a poet could write those images!)

Stay tuned, dear blog readers.  Stay tuned.

Spotlight: The Asian American Literary Review, Part 2

Self knows she spotlighted The AALR already, but one can never have too much of a good thing.

She is so admiring of the tireless energy of its editors. They are now trying to get more people overseas to know about Asian American writers. Bravo!

Kindly hook up with Lawrence-Minh Bui Davis, Gerald Maa, or Cathy J. Shlund-Vials (English and Asian American Studies, University of Connecticut). Cathy will be at the upcoming AAS conference, April 17- 20, in Seattle.

Here’s the beginning of self’s story “Homeopathy,” which was in AALR Vol. 3, Issue 1 (Spring 2012):

On Friday I return from my trip. Laundry is still in the dryer, a jumble of clothes. The food I’d bought before I left is still in the fridge, though the radishes are pockmarked with green fuzz and the potatoes are growing roots. The man sits on the sofa, smoking a cigarette.

Has he even known I was gone? I can’t be sure. Perhaps I’m an alien, teleported into his life.

On TV, Speed is showing. It’s the scene where Dennis Hopper talks to Keanu Reeves and tells him, “Do not attempt to grow a brain.”

Finally, self has succeeded in getting the finest words in the English language into a story!

KEANU REEVES. KEANU REEVES. KEANU REEVES.

But that was so years ago. Now self must figure out a way to get these words into a story:

TIMOTHY OLYPHANT. TIMOTHY OLYPHANT. TIMOTHY OLYPHANT.

Stay tuned, dear blog readers. Stay tuned.

Self Makes Up Her Own “Literary Magazine” Award

And these are the magazines which made self’s reading life so rich, in 2012 (and this is not brown-nosing: self hasn’t appeared in any of them):

  • One Story (for Karl Taro Greenfeld, Susan Straight, and others)
  • New Letters (for their almost-novella length short story by a Chinese writer, not famous. Certainly not Mo Yan. She would remember if the story she read was by Mo Yan)
  • Fence (for, among others, Philip Aronson’s very funny story about being in France)
  • Parabola
  • Utne Reader
  • The New Yorker

Since the above are known primarily for their print editions, self will now move to the literary websites that helped enrich her reading life:

  • Café Irreal
  • Juked
  • The Writing Disorder
  • Wigleaf
  • Word Riot

Self’s work has appeared in all of the above on-line web-zines.

Stay tuned, dear blog readers. Stay tuned.

Stranger Still: Café Irreal 45

There is a story about a baby that self has been pondering for weeks.  Weeks!  Here’s the beginning:

“Worn Smooth by the Passage of Time,” by Jenn Marie Nunes

By boyfriend gives me a baby as a going-away gift.  It is a blue-colored baby.  Looks sort of like a potato and sort of like a piece of sea glass and I am not even sure it is a baby, but that’s what he says when I unwrap it.

“I want you to have this baby,” he says, “to remember me by.”  And he picks up the plastic bag with his shirts and socks and the special set of pints he’s stolen from his favorite bars.

“Thanks,” I say.  I would rather kick him in the shin, but it’s very early in the morning and I haven’t had my coffee yet.”

“Word,” he says and walks out the door.

Read the rest of it here.

What is it with self?  She takes such pleasure in the grotesque.

Do not read the rest of the story if you are the least bit squeamish, dear blog readers.

Stay tuned.

Literary Magazine Spotlight: The Asian American Literary Review, Winter 2012

How does a literary magazine survive?  Self at one time had high ambitions:  She thought she’d like to edit one.  Then she realized how much time she’d have to give up.  Time she could spend writing, or traveling, or growing a garden, or writing her friends (or, now, blogging), or cooking, or walking her dog, or cleaning up, or getting organized, or watching movies, or exercising.

Today she’d like to honor the people who put out The Asian American Literary Review.

Have you seen it, dear blog readers?  It is so substantial, so hefty, it is easily twice the size of Ploughshares, or the Paris Review.  And the editors, Lawrence Minh Bui Davis and Gerald Maa, not satisfied with this vast labor, still organize symposiums in conjunction with other entities, like last April’s tie-in with the National Portrait Gallery.  And they are so humble.  And open to new ideas.  And always coming up with thought-provoking themed issues.

The Winter 2012 issue is on “Portraiture.”

Among the writers featured are:  Luisa Igloria, Brian Ascalon Roley, Lillian Howan, and Brian Komei Dempster.  There are interviews of Gary Snyder by Shawna Yang Ryan,  and of Garrett Hongo by Michael Collier.

There are reviews of books like My Postwar Life:  New Writings from Japan and Okinawa, edited by Elizabeth McKenzie, and No Enemies, No Hatred:  Selected Essays and Poems, by Liu Xiaobo.

Buy the issue here, or take out a subscription.  You won’t regret it, dear blog readers.

Stay tuned.

Literary Magazine Spotlight: J JOURNAL, Fall 2012

J Journal, Vol. 5 No. 2

J Journal, Vol. 5 No. 2

Self just opened the Fall 2012 issue of J Journal.

You may not have heard of it:  it’s a literary journal put out twice-yearly by the John Jay College of Criminal Justice, which is on W. 59th Street in New York City.

Everyone, tell your friends about it.  It’s the journal’s TENTH issue, which is something of a milestone, considering these hard times when so many literary journals are struggling.

It began life five years ago, in 2007.  The editorial focus is on strong, justice-themed fiction, poetry, and personal narrative.

In 2012, J Journal was awarded its first Pushcart Prize, for “The Fall of Punicea,” by Paul Stapleton, in Issue 4.1

Congratulations, J Journal!

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