Introducing, in the order in which the stories appear in the anthology:
- “When we learn about the sign, we must see it for ourselves.” – Aviary, by Lysley Tenorio
- “Casa Manila,” the docent announces, pushing the massive double doors twice before they give way.” – A Human Right, by Rosario Cruz-Lucero
- “Do you know what shabu means?” – Satan Has Already Bought U, by Lourd De Veyra
- “Sunday talk and it was all gossip.” – Broken Glass, by Sabina Murray
- “When we finally roll out, our seats are pitched up like we’re on a plane lifting from the tarmac.” – After Midnight, by Angelo R. Lacuesta
- “Nearly 13 million Filipinos ride the Metrostar Express every day.” – Trese: Thirteen Stations, a graphic short story, by Budjette Tan & Kajo Baldisimo
- “The neck is broken.” – Comforter of the Afflicted, by F. H. Batacan
- “Somebody died in this car I’m driving.” – The Professor’s Wife, by Jose Dalisay
- “Lala makes the sign of the cross when she comes upon the naked, mutilated body of Vanessa Blanca hanging from the ancient balete tree on Moriones Street, a block away from the Tutuban train station.” — Cariño Brutal, by R. Zamora Linmark
- “The story Magsalin wishes to tell is about disappearance.” – The Unintended, by Gina Apostol
- “Paco texted me, asking for a ride.” — Old Money, by Jessica Hagedorn
- “Which parts of a bird are edible?” – Desire, by Marianne Villanueva
- “First of all, she wouldn’t change the locks on him.” – Darling, You Can Count on Me, by Eric Gamalinda
- “She doesn’t have to travel very far to see her fortune-teller.” – Norma From Norman, by Jonas Vitman
