- “For new adulterers, reduced circumstances are just another part of the romance. Each attempt to avoid detection – the cheap hotel rooms, the seedy restaurants, the run-down vacation spots – is a novelty, even a return to youth.” – From the “Briefly Noted” review of Anne Enright’s fifth novel, The Forgotten Waltz.
- Helen Dunmore, author of The Siege, about the long siege of Leningrad in the Second World War, has written a sequel called The Betrayal, a novel in which “the effects of repression replace those of deprivation . . . “
- The issue’s short story is by Alice Munro (maybe her 50th appearance in this magazine – BWAH HA HA!)
- John Lahr, the New Yorker’s theater critic, begins his review of a new play with: “Alan Rickman is the go-to actor for supercilious.”
- There is a teensy ad on p. 83 for Austen Riggs Center: “A distinctive psychiatric hospital: Intensive psychotherapy in an open community.” On the same page, an ad for Gunderson Residence of McLean Hospital: “Highly specialized residential treatment for women with BPD” (Of course everyone knows what BPD stands for! Everyone who reads The New Yorker, that is)
- Jane Birkin is appearing LIVE IN CONCERT. There was a time when self knew this woman as an actress. That time was long long ago.
- The show “2 Broke Girls” is “a genuine ratings hit,” according to New Yorker writer Emily Nussbaum. Self watched a few episodes on the plane to New Delhi. Oh, yeah. Yeah! You go, Kat Dennings! Self loved all your scenes in “Thor,” you stole them from Acknowledged Beauty Natalie Portman. Now Dennings gets to be called (by Nussbaum) “a baby Roseanne.” This is because Dennings plays “a waitress who insults her customers, a poor girl who walls herself off with defeatist sarcasm.”
- Self encounters the term “sardonic brunette” for the first time. According to Emily Nussbaum (again), the “sensibility” of the sardonic brunette “echoes back to Rosalind Russell.” Modern incarnations of the type are: Roseanne, Janeane Garofalo, Sarah Silverman, Sandra Bernhard, and Tina Fey. In the era of Lucille Ball, “it was exciting simply to see a woman clown, even if she always lost, even if she was literally spanked for her rebellion.” A little further in the same piece, self learns what a “dead joke” is: “I’ll say I’m ugly before you can.” She also learns that this kind of joke is “from an older style of female comedy.” And boyfriends can be considered guilty of such a thing as “a thought crime”: glancing at another girl. Also the hit show Glee “likes to insult fat people and then sing songs about how wrong it is to bully them.” Another show, It’s Always Sunny in Philadelphia, is “hilariously filthy.” The guy who was being sexually harassed by Jennifer Aniston in “Horrible Bosses” is here: self really likes the way he whines. His voice reminds self a little of Joe Pantoliano.
- Self also learns (again via Nussbaum – Nussbaum is an absolutely brilliant writer!) that there are contexts in which a sense of “entitlement” can function as “a kind of superpower” because it makes a person believe that she deserves “a better life.” Okay, self can definitely buy that.
Stay tuned, dear blog readers. Stay tuned.